Tag: Western
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Nope. Dir. Jordan Peele. Universal Pictures. 2022
Jordan Peele’s latest film nope follows siblings OJ and Emerald Haywood in the aftermath of their father’s unexpected death. The siblings ‘We ain’t got no more problems’ is the foreboding line said by Otis Haywood moments before his untimely death and the supernatural haunting begins on the Haywood family ranch. Jordan Peele’s latest film Nope…
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Red River. Dir. Howard Hawks. Monterey Productions. 1948.
American expansionism and the frontier myth – the romanticisation of prosperity found in claiming the ‘wilderness’ and the forceful expansion of the American border – pillars of the Western genre [1]. From Jan Troell’s The New Land (1982), John Ford’s Wagon Master (1950) to Charlie Chaplin’s Gold Rush (1925); Western cinema has constantly glorified the rich…
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Rango. Dir. Gore Verbinski. Paramount Pictures. 2011.
As Rango’s terrarium hits the concrete and shatters, the bleak reality of human nature and the wake of destruction we leave becomes apparent. To humans, animal suffering is a mere bump in the road – literally. In the opening scene of Rango, the car in which Rango is travelling hits a passing armadillo attempting to…
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Rango. Dir. Gore Verbinski. Paramount Pictures. 2011.
“Rango’s” animated Western storyline is narrated by an owl mariachi band with thick Spanish accents who tell the story of a nameless pet chameleon. The anthropomorphic chameleon sees himself as an exceptionally gifted actor in his terrarium with a wind-up goldfish and a damaged Barbie doll as his characters in his plays. After an accident,…
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True Grit. Dir. Ethan Coen and Joel Coen. Paramount Pictures. 2010.
Although the tone of True Grit (2010) is primarily light-hearted and comedic, the narrative explores dark themes of grief and revenge. After her father is murdered, fourteen-year-old Mattie Ross (Hailee Steinfeld) embarks on a journey to ensure her father’s killer is hanged for his crime, enlisting the help of infamously violent and self-serving U.S. Marshal…
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The Misfits. Dir. Arthur Miller. United Artists. 1961.
The Misfits (dir. Arthur Miller, 1961) The final two scenes in The Misfits (dir. Arthur Miller, 1961) epitomise the varied conflicts that underpin the changing zeitgeist narrative of the film.[1] The relationship between the bucking beast and the faded hunter is complex; the mustang and the cowboy are two of the most poignant and pervading symbols…
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Spirit: Stallion of the Cimarron. Dir. Kelly Asbury and Lorna Cook. DreamWorks. 2002.
The eponymous character Spirit in Spirit: Stallion of the Cimarron (2002)[1] is a stallion who lives freely in an area that would come to be known as the ‘Old West’. Unusually for an animated film, none of the animal characters partake in any spoken dialogue with eachother -instead expressions, naturalistic animal sounds and movement are used to…
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Hidalgo. Dir. Joe Johnston. Disney/Touchstone Pictures. 2004.
Hidalgo (2004), directed by Joe Johnston is a Disney production bringing to life the adventures of America’s most controversial endurance rider; Frank T. Hopkins. His story was discovered and then written for the big screen by John Fusco, a strong advocate for the veritable nature of his incredibly controversial legend. A whole website has been…
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The Horse Whisperer. Dir. Robert Redford. Touchstone Pictures. 1998.
Representation of Animals in the Horse Whisperer Robert Redford directs and stars in the novel adaptation, The Horse Whisperer (1998). Set between the conflicting environments of urban New York and the rural countryside of Montana, we witness a family fall apart following a tragic accident. Whilst out riding, the film’s young protagonist and her friend come into collision…