Category: Article Type: Zoom
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The Cat in the Hat. Dir. Bo Welch. DreamWorks Pictures. 2003
Bo Welch’s 2003 interpretation of Seuss’ eponymous, anthropomorphic The Cat in the Hat throws the human exceptionalism paradigm into full-blown turmoil as Mike Myers embodies a character that takes on various socially specific, “human” roles all whilst staying in character as Cat. Though it is not unusual for a film of this genre to depict…
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The Rat Catcher. Dir. Wes Anderson. Netflix. 2023.
September 2023 saw Wes Anderson’s return to the works of Roald Dahl with the cinematising of The Rat Catcher. In true Andersonian fashion the film foregrounds aesthetic and framing in order to focus our attention on the visual/character design of The Ratcatcher. Anderson uses animalisation to represent the rat via a human and aided by…
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Snakes on a Plane. Dir. David R Ellis. New Line Cinema. 2006.
‘At 30,000 feet, snakes aren’t the deadliest thing on this plane.’ From the taglines to the soundtrack, Ellis’ 2006 action-horror film depicts a sensationalised binary between humankind and snakes. Whilst the cold-blooded creatures are undeniably presented as hostile antagonists driven by instinct, the abundance of human violence amplifies the capacity of humankind to commit unnecessary…
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The Hunger Games. Dir. by Gary Ross (Lionsgate Films, 2012)
The Hunger Games (2012), directed by Gary Ross, sets up the mockingjay as a unifying symbol of rebellion and resistance against the dystopian ruling of the Capitol. Ross uses this sequence to establish the mockingjay as a balancing force between interpersonal relations and political solidarity. The human-animal connection between the protagonist, Katniss, and the mockingjay…
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The Secret Garden. Dir. Agnieszka Holland. Warner Bros. California. 1993
The Secret Garden creates a form of social equality between its animal and human characters. Social equality is defined as someone not being discriminated against based on their class, gender, race etc and in this case species. The film is interesting because of the way the outdoors are depicted as a space where the differences…
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Parasite. Dir. Bong Joon-Ho. CJ Entertainment. 2019
Bong Joon-Ho’s 2019 black comedy thriller Parasite uses pet dogs to extend the presentation of wealth disparity and examine the human hierarchy system established within the film. The plot explores the relationship between the lower-class Kim family as they gradually infiltrate the Park family through fraudulent employment and fulfil domestic roles within the upper-class Park…
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Storm Boy. Dir. Shawn Seet. Sony Pictures. 2019.
The 2019 Australian film Storm Boy captures the special bond between a boy and pelicans on the beautiful Australian coastal landscapes. The story is based on the 1964 novel of the same name by Colin Thiele, and it serves explorations on complex issues surrounding the natural environment and human lives. The story is enriched by…
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Alice in Wonderland. Dir. Clyde Geronimi, Wilfred Jackson, Hamilton Luske, and Jack Kinney. Walt Disney Pictures. 1951.
A distinctive croquet game featuring flamingos as mallets and hedgehogs as balls becomes a symbol of societal norms and power dynamics in human-animal relationships, reflecting the era’s outlook on animal rights. Whimsy deviates from the real-world issues depicted in the original text, becoming rose-tinted rather than a mirror.
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Rushmore. Dir. Wes Anderson. 1998. Buena Vista Pictures.
Bees in Wes Anderson’s Rushmore The swarm of the bees scene in Wes Anderson’s 1998 comedy film Rushmore sees Herman J Blume (Bill Murray) subjected to further revenge for his romantic involvement with Miss Cross (Olivia Williams). Blume is rattled by an infiltration of bees in his hotel suite, orchestrated by the outraged Max Fischer (Jason…
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Watchers. Dir. Jon Hess. Universal Pictures, Alliance Releasing. 1988.
If humans and animals navigate separate spheres within their shared world, then what becomes of creatures whose existence crosses into both realms? Jon Hess’s 1988 science fiction horror film Watchers queries the animal presence within humanity through the camera techniques used during the genetically-engineered OXCOM’s first attack on Travis Cornell. (Above) Humanity’s Fascination with Human-Animal…