Tag: HAR: Interest/Observation
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Pocahontas II: Journey to a New World. Dir. Tom Ellery and Bradley Raymond. Walt Disney Home Video. 1998.
In Pocahontas II: Journey to a New World, Pocahontas voyages to England with John Rolfe, an English diplomat. She must stop the villainous Governor Ratcliffe’s manipulation of King James and prevent the King from declaring war on the Native Americans. As expected in a Disney film, she just happens to fall in love with Rolfe…
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Godzilla: King of the Monsters. Dir. Michael Dougherty. Warner Bros. Pictures. 2019.
“Good thing he’s on our side” … “For now” How do we define the term ‘Monster’? Or perhaps, how should we define it? Is there ever a possibility that the monster we feared can end up being the hero we never knew we needed? This is the question posed within Michael Dougherty’s 2019 Action film…
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Surf’s Up. Dir. Ash Brannon & Chris Buck. Columbia Pictures. 2007.
Released in 2007, during the surge of penguin movies, Surf’s Up is a unique animated mockumentary exploring how penguins are the ‘real’ inventors of the worldwide sport, surfing. A documentary crew (ironically, Brannon and Buck cast themselves) follow the journey of Cody Maverick (Shia LaBeouf), a Rockhopper penguin from Antarctica who dreams of becoming a…
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The One and Only Ivan. Dir. Thea Sharrock. Walt Disney Studios Motion Pictures. 2020.
As the name of the film suggests, The One and Only Ivan showcases the individuality of animals and their much-like human personas, highlighting the injustice of their captivity. Standing out from Disney’s animated catalogue, the use of CGI (computer-generated) animals encourages the audience to interpret the unexaggerated personality of the animal protagonist by presenting them…
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Pocahontas. Dir. Eric Goldberg and Mike Gabriel. The Walt Disney Company. 1995.
In Pocahontas, the animosity between Meeko, the Native American raccoon and Percy, the English pug is a microcosm of the conflict between the Native and English humans. The animals are comic foils, providing family-friendly slapstick relief from human violence. However, the inclusion of animals adds meaning beyond just comedic value. The animals and humans both…
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Snatch. Dir. Guy Ritchie. Columbia Pictures. 2000.
– “Okay, I reckon the hare gets fucked” – “What? Proper fucked?” In Guy Ritchie’s comedic crime thriller Snatch, he uses this hare coursing scene to draw parallels between the animality of the dogs and the gangsters, whilst also simultaneously using the mise-en-scene to create a contrast between the agility of animals alongside the clumsiness…
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How to Train Your Dragon. Dir. Dean DeBlois, Chris Sanders. Paramount Pictures. 2010.
Despite the movie’s title, How to Train Your Dragon does not present ‘trained’ dragons. The title insinuates the shift from foe to friend is a means of ‘training’ a dragon, when this is actually achieved through the development of a mutual understanding of the other. The film’s false equation of this mutual agreement reduces the…