Tag: HAR: Interest/Observation

  • The Little Prince. Dir. Mark Osborne. Paramount Pictures. 2015

    The Little Prince. Dir. Mark Osborne. Paramount Pictures. 2015

    “One sees clearly only with the heart. What is essential is invisible to the eye.” In The Little Prince the depiction of foxes defies conventional animality as they generally symbolise perfidy. But The Fox here is characterised as holding pragmatic intellectual power. He is a teacher but does not hold any other forms of power,…

  • Big Miracle. Dir. Ken Kwapis. Universal Pictures. 2012.

    Big Miracle. Dir. Ken Kwapis. Universal Pictures. 2012.

    ”And we ache for them cause they are so much like us”. Rachel Kramer. The film Big Miracle is a drama directed by Ken Kwapis and distributed by Universal Pictures in 2012. It is based on the book Freeing the Whales written by Tom Rose in 1989, which narrates the 1988 Operation Breakthrough to rescue…

  • Garfield. Dir. Peter Hewitt. 20th Century Fox. 2004.

    Garfield. Dir. Peter Hewitt. 20th Century Fox. 2004.

    This 2004 family comedy revolves around Garfield, a lazy, lasagna-loving cat who has the perfect life with his owner, Jon. Accustomed to luxury treatment, lavish meals and relying on his quick wit to get his way, the film opens on Garfield’s extravagant morning routine and his devious antics around the cul-de-sac. Unsurprisingly, Garfield is at…

  • The Water Horse: Legend of the Deep, Dir.Jay Russell, Sony Pictures Releasing, 2007, U.S.

    The filmmakers of The Water Horse: Legend of the Deep present audiences with the idea that a wild, Scottish mythological creature can (a) exist, (b) be a pet, and (c) a friend, to a young boy. Angus and the water horse’s friendship makes the point that not only can dogs be ‘man’s best friend’, but…

  • Lamb. Dir. Valdimar Jóhannsson. Sena. 2021

    Lamb. Dir. Valdimar Jóhannsson. Sena. 2021

    Like a lamb to the slaughter, the slow-burn, absurd surrealness of A24’s Lamb (2021) leads the audience to an end that blends both chilling twists and heartbreaking loss as the complications that are inevitable with blurring binaries between human-animal relations come to fruition. In a playful, sardonic reconfiguration of oppositions between captivity and freedom, wildness…

  • Taxidermia (György Pálfi, 2006, Amor Far Filmproduktion).

    Taxidermia (György Pálfi, 2006, Amor Far Filmproduktion).

    Hungarian cinema leaves us feeling stuffed! Figure A  – Lajoska Balatony surrounded by stuffed animals. Taxidermia (György Pálfi, 2006, Amor Far Filmproduktion). Pálfi’s 2006 body horror  Taxidermia, follows the story of three generations of men in three acts; each concerning a different afflicted and animalistic perversion. It begins with Morosgoványi Vendel, a sexually perverse man…

  • Bolt. Dir. Chris Williams, Byron Howard. Walt Disney Studios Motion Pictures. 2008.

    Bolt. Dir. Chris Williams, Byron Howard. Walt Disney Studios Motion Pictures. 2008.

    Disney’s 2008 feature, Bolt, follows the television star pup who believes that, through the meticulous production of the show, he has super-powers and faces an archvillain, the green-eyed man. When the plotline demands that he be separated from his owner and co-star, Penny, due to her being kidnapped on the show, Bolt escapes the set…

  • Rio. Dir. by Carlos Saldanha. Blue Sky Studios and 20th Century Animation. 2011.

    Rio. Dir. by Carlos Saldanha. Blue Sky Studios and 20th Century Animation. 2011.

    Opening with the vibrant celebration of colours and exotic sounds of the Brazilian rainforest, our focus is drawn to a nervous exotic baby macaw bird called Blu who plucks up the courage to attempt his maiden flight. Predictably he tumbles towards the ground, making a soft spongy safe landing, before commotion strikes and an attack…

  • Corpse Bride. Tim Burton. Warner Brothers. 2005.

    Corpse Bride. Tim Burton. Warner Brothers. 2005.

    ‘In the act of othering, what is projected onto the other is all that must be refused in constructing the identity of the self’[1]. Consequently, establishing a human/animal binary often leads to a hierarchical relationship, highlighting the difference between human and non-human ‘other’. Such binary differences are reminiscent of common tropes in gothic literature, with…

  • E.T. the Extra-Terrestrial. Dir. Steven Spielberg. Universal Pictures. 1982

    Steven Spielberg’s E.T. the Extra-Terrestrial (1982), despite its tearful conclusion in which 10-year-old Elliott is parted from his extra-terrestrial friend aptly named ‘E.T.’, is revered for its thematic sentimentality (popularised by its iconic John Williams score) and stood him in contrast to his contemporary auteurs such as Martin Scorsese and Francis Ford Coppola, who adopted…