Category: Imaginary Animals: No
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The Rat Catcher. Dir. Wes Anderson. Netflix. 2023.
September 2023 saw Wes Anderson’s return to the works of Roald Dahl with the cinematising of The Rat Catcher. In true Andersonian fashion the film foregrounds aesthetic and framing in order to focus our attention on the visual/character design of The Ratcatcher. Anderson uses animalisation to represent the rat via a human and aided by…
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Snakes on a Plane. Dir. David R Ellis. New Line Cinema. 2006.
‘At 30,000 feet, snakes aren’t the deadliest thing on this plane.’ From the taglines to the soundtrack, Ellis’ 2006 action-horror film depicts a sensationalised binary between humankind and snakes. Whilst the cold-blooded creatures are undeniably presented as hostile antagonists driven by instinct, the abundance of human violence amplifies the capacity of humankind to commit unnecessary…
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Nomadland. Chloe Zhao. Searchlight Pictures. 2020.
Chloe Zhao’s 2021 feature film Nomadland explores the conditions of the American landscape, nomadic experiences and estranged relationships of belonging amidst continuously unstable socio-political and economic conditions of the 21st century. Zhao blends a naturalist style of filmmaking with observational realism to explore the stories of nomads living in rural America, employing non-actors to play…
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Blue Valentine. Dir. Derek Cianfrance. 2010.
Derek Cianfrance’s 2011 feature film, Blue Valentine, explores the instability of the family unit in the rural American suburbs. The almost immediate death of the family dog Megan underpins this instability as her absence becomes symbolic of marital collapse. Through two temporally separated narratives, the film observes the story of Dean, Cindy, and their daughter,…
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Storm Boy. Dir. Shawn Seet. Sony Pictures. 2019.
The 2019 Australian film Storm Boy captures the special bond between a boy and pelicans on the beautiful Australian coastal landscapes. The story is based on the 1964 novel of the same name by Colin Thiele, and it serves explorations on complex issues surrounding the natural environment and human lives. The story is enriched by…
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Alice in Wonderland. Dir. Clyde Geronimi, Wilfred Jackson, Hamilton Luske, and Jack Kinney. Walt Disney Pictures. 1951.
A distinctive croquet game featuring flamingos as mallets and hedgehogs as balls becomes a symbol of societal norms and power dynamics in human-animal relationships, reflecting the era’s outlook on animal rights. Whimsy deviates from the real-world issues depicted in the original text, becoming rose-tinted rather than a mirror.
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Rushmore. Dir. Wes Anderson. 1998. Buena Vista Pictures.
Bees in Wes Anderson’s Rushmore The swarm of the bees scene in Wes Anderson’s 1998 comedy film Rushmore sees Herman J Blume (Bill Murray) subjected to further revenge for his romantic involvement with Miss Cross (Olivia Williams). Blume is rattled by an infiltration of bees in his hotel suite, orchestrated by the outraged Max Fischer (Jason…
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Fünf Freunde 3. Dir. Mike Marzuk. Constantin Film. 2014.
The movie “Fünf Freunde 3“ is the third filming of Enid Blyton’s book series “The Famous Five”. It is summer, and George and her dog Timmy travel to Thailand, following her father, who works on a project with an old friend concerning greenhouse gas. As usual, George brings her cousins Dick, Anne, and Julian with…
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The Muppet Christmas Carol. Dir. Brian Henson. Walt Disney Pictures. 1992.
A Christmas Carol by Charles Dickens is not only a heart-warming Christmas story from the Victorian period, it also speaks volumes about social class inequalities. In The Muppet Christmas Carol, Director Brian Henson uses the species of rats to emblematise the impoverished, low social class. This contributes to Dickens’s interpretation from the original novel, this…
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Ostwind. Dir. Katja von Garnier. Constantin Film. 2013.
Ostwind follows the troubled teenager Mika as she is sent to her grandmother’s horse farm to study and help around the stables. Instead of helping, Mika hides in the stables and meets Ostwind, the horse responsible for Mrs. Kaltenbach’s riding injury. During their first encounter, Mika instantly feels connected to Ostwind and learns about the gift…