Tag: HAR: Violence
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The Platform (El Hoyo). Dir. Galder Gaztelu-Urrutia. Festival Films & Netflix. 2019
In the twisted dystopian science fiction movie “The Platform,” inmates of a vertically piled up prison, with two inmates on each floor, fight for bare survival due to the lack of food for the entire population. An extensive buffet of the finest hearty and sweet food travels, from top to bottom through the middle of…
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1922. Dir. Zak Hilditch. Netflix. 2017.
Zak Hilditch’s 2017 adaptation of Stephen King’s 1922 follows the story of Wilfred James, a corn farmer living in Nebraska, who, alongside the assistance of his teenage son, Henry, conspired to murder his wife, Arlette, after a dispute about selling her recently inherited land to move to the city. The story unravels the consequences of…
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Crocodile Dundee. Dir. Peter Faiman. Paramount Pictures. 1986
“A city girl like you? You wouldn’t last five minutes, love. This is a man’s country out here.” – Mick Dundee (Paul Hogan) Crocodile Dundee is a 1986 action/comedy film, following the character of Mick Dundee (Paul Hogan), nicknamed “Crocodile” after being mauled by a crocodile, an Australian bushman, as he meets his eventual love…
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Willard. Dir. Glen Morgan. New Line Cinema. 2003.
Glen Morgan’s disturbing horror film Willard portrays the life of social misfit Willard Stiles (played by Crispin Glover), and a colony of trained rats who live in the basement of his somewhat derelict mansion. Whilst at first Willard intends to dispose of the rodents, he instead connects with a distinctive white rat whom he names…
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The Shallows. Dir. Jaume Collet-Serra. Columbia Pictures. 2016.
The Shallows uses the tale of Nancy (Blake Lively), a surfer alone and vulnerable in the picturesque coasts of Mexico only to be aggressively hunted by a great white shark with a taste for skinny blonde models (shock). Since Jaws, sharks have become a symbol of fear – an immediate indication of danger within the cinematic…
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The Lighthouse. Dir. Robert Eggers. A24. 2019.
“𝑩𝒆𝒔𝒕 𝒚’𝒍𝒆𝒂𝒗𝒆 𝒕𝒉𝒆 𝒈𝒖𝒍𝒍𝒔 𝒃𝒆. 𝑰𝒏 ’𝒆𝒎𝒔 𝒕𝒉𝒆 𝒔𝒐𝒖𝒍𝒔 𝒐𝒇 𝒔𝒂𝒊𝒍𝒐𝒓𝒔 𝒘𝒉𝒂𝒕 𝒎𝒆𝒕 𝒕𝒉𝒆𝒊𝒓 𝒎𝒂𝒌𝒆𝒓.” The Lighthouse is a film about madness and evil. The film uses the arrival and death of a seagull, at the hands of Thomas, to explore the threshold between sanity and madness, and our capacity for evil. Thomas’ sanity is questioned…
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The Fox and the Hound. Dir Ted Berman, Richard Rich and Art Stevens. Walt Disney Productions. 1981.
The Fox and the Hound (1981) revolves around an orphaned red fox named Tod (Mickey Rooney) who befriends a young hound puppy, Copper (Kurt Russell). The two grow very fond of one another, despite their natural born differences, although their human owners Slade (Jack Albertson) and Tweed (Jeanette Nolan) do not share the same friendliness.…
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The Grand Budapest Hotel. Dir Wes Anderson. Fox Searchlight Pictures. 2014
“Did he just throw my cat out the window?” The Grand Budapest Hotel (Wes Anderson, 2014) uses the death of a domestic animal to drive the dark comedic elements within the film, without accentuating sinister undertones that the audience would expect to accompany the death of a beloved animal. Anderson transforms the cat into a…
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The Watchmen. Dir. Zach Snyder. Warner Bros. 2009.
What can dogs tell us about criminality? With regards to Zach Snyder’s Watchmen, the answer is ‘quite a lot.’ Dogs are used within the film to align the binaries of legality and criminality with humanity and animality. There is a particular focus on the possibilities of transgression, as both the anti-hero and the villain commit…