ZooScope

Tag: HAR: Violence

  • Captain Fantastic. Dir. Matt Ross. eOne Entertainment. 2016

    When Ben’s world is turned upside down by the death of his wife, Leslie Captain Fantastic [1] sets out to explore the question – what does it mean to be a father? At first, Ben’s parenting methods are, let’s say, unconventional. In an off-the-grid settlement deep in the forestland of Washington State, Ben strives to…

  • Guardians of the Galaxy. Dir. James Gunn. Marvel Studios. 2014.

    Set in a parallel science- fiction universe, Guardians of the Galaxy[1] parodies Marvel’s usual ‘superhero’ film, by casting five criminal anti- heroes as the protagonists. The film follows five intergalactic – outlaw – anti- heroes as they are brought together by being arrested, over a bounty hunt on a mysterious orb. Previously individuals just working…

  • Once Upon a Time in Hollywood. Dir. Quentin Tarantino. Columbia Pictures. 2019

    Quentin Tarantino’s ninth feature film is wistfully reminiscent of a bygone era, a self-reflexive artefact devoted to the zeitgeist of the closing chapter of Hollywood’s golden era. For two hours and forty minutes, the director lays bare his musings on cinema which read less like a narrative and more like a very thorough character study…

  • Blue Velvet. Dir. David Lynch. De Laurentiis Entertainment Group. 1986

    Lynch has made a career out of the surreal, exploring the dark and often animalistic nature of human existence. His 1986 neo-noir mystery/psychological horror Blue Velvet centres around college student Jeffrey Beaumont (Kyle MacLachlan), who after returning home after his father suffers a stroke, discovers a rotting human ear that leads him on an investigation…

  • The Secret of NIMH. Dir. Don Bluth. MGM/UA Entertainment Company. 1982.

    “We can no longer live as rats. We know too much.” The Secret of NIMH is remembered by many as a dark, creepy, and disturbing film, with retrospectives published in recent years referring to it as leaving basically every kid who sees it with a lingering dread. Don Bluth’s directorial debut after leaving the Walt…

  • Waltz with Bashir. Dir. Ari Folman, Sony Pictures Classics. 2008.

    Anonymous soldier: What to do? What to do? Why don’t you tell us what to do? Ari Folman: Shoot. Anonymous soldier: On who? Ari Folman: How should I know on who? Just shoot. Anonymous soldier: Isn’t it better to pray? Ari Folman: Pray and shoot. [1] In 2008 a new style of documentary filmmaking was…

  • The Thing. Dir. John Carpenter. Universal Pictures. 1982.

    The Thing (John Carpenter, 1982) uses dogs as an emotional catalyst to evoke a heightened sympathetic response from its audience. The alien organism – adopting the exterior of a dog – exploited the trustworthy, friendly associations that humans have with dogs in order to infiltrate the research lab after observing human-animal relationships. Clark, a researcher,…

  • Jojo Rabbit. Dir. Taika Waititi. Fox Searchlight Pictures. 2019.

    Jojo Rabbit (Taika Waititi, 2019) follows a young German boy growing up during World War Two. During a sequence depicting Jojo’s education, a rabbit is used as a symbol of morality to train a group of Hitler Youth. The children unanimously agree that they would kill for Germany – this is then put to the…

  • Okja. Dir. Bong Joon-ho. Netflix. 2017.

    Okja[1] is a South-Korean/American film about a girl called Mija and her best friend, a ‘super pig’ called Okja. When Okja gets taken by the company who made her, the Mirando corporation, Mija leaves her idyllic mountain-top home and goes on a dark adventure, determined to find Okja and bring her back home. At the…

  • The Lord of the Rings: Return of the King. Dir. Peter Jackson. New Line Cinema. 2003.

    In this scene, we see a last gasp attack from the human riders against a far larger force of evil orcs. The horses the men ride reflect the heroic values of their riders whilst also encompassing the bestial nature of conflict. Jackson uses a wide shot, with the golden sun shining on the riders, to…