Tag: HAR: Violence

  • Felidae. Dir. Michael Schaack.Wild Bunch. 1994.

    Warning- this article will contain graphic animated imagery as well as major spoilers for the film Felidae (1994) “What I was watching wasn’t exactly a scene out of The Aristocats.” -Francis in Felidae Released in 1994, the cult neo-noir film Felidae immediately sets itself apart from its earlier animated feline predecessors, with Schaack’s adaptation refusing…

  • Corpse Bride. Tim Burton. Warner Brothers. 2005.

    Corpse Bride. Tim Burton. Warner Brothers. 2005.

    ‘In the act of othering, what is projected onto the other is all that must be refused in constructing the identity of the self’[1]. Consequently, establishing a human/animal binary often leads to a hierarchical relationship, highlighting the difference between human and non-human ‘other’. Such binary differences are reminiscent of common tropes in gothic literature, with…

  • The Good Dinosaur. Dir. Peter Sohn. Disney Pixar. 2015.

    Are you terrified of big, scary dinosaurs from films such as Jurassic Park? Well, The Good Dinosaur will change that perception. In a world where dinosaurs never became extinct, a timid and friendly dinosaur named Arlo lives on a family farm. This story follows the conventional trope of a young boy who embarks on a…

  • See Spot Run. Dir. John Whitesell. Village Roadshow Pictures. 2001.

    See Spot Run. Dir. John Whitesell. Village Roadshow Pictures. 2001.

    Agent 11 is one of the most decorated agents in the FBI, but he doesn’t always play by the rules. This time, his vicious attack on mob boss Sonny Talia (Paul Sorvino) has made him the target of a hit.                                                                      When internal corruption leads to his Witness Protection being compromised, he must…

  • Pocahontas II: Journey to a New World. Dir. Tom Ellery and Bradley Raymond. Walt Disney Home Video. 1998.

    In Pocahontas II: Journey to a New World, Pocahontas voyages to England with John Rolfe, an English diplomat. She must stop the villainous Governor Ratcliffe’s manipulation of King James and prevent the King from declaring war on the Native Americans. As expected in a Disney film, she just happens to fall in love with Rolfe…

  • Godzilla: King of the Monsters. Dir. Michael Dougherty. Warner Bros. Pictures. 2019.

    “Good thing he’s on our side” … “For now” How do we define the term ‘Monster’? Or perhaps, how should we define it? Is there ever a possibility that the monster we feared can end up being the hero we never knew we needed? This is the question posed within Michael Dougherty’s 2019 Action film…

  • Pirates! In an Adventure with Scientists!. Dir. By. Peter Lord. Columbia Pictures. 2012.

    Aardman never shy away from the ludicrous. So when a crew of incompetent pirates endeavour for protagonist The Pirate Captain to win the Pirate of the Year Award by relying on the commercial value of his prized dodo companion Polly (who should have been extinct for 150 years and is believed to be a parrot)…

  • Ferdinand. Dir. Carlos Saldanha. 20th Century Studios. 2017.

    Part of the core ethics depicted within Saldanha’s Ferdinand (2017) is that the exploitation of animals, whether bullfighting or meat production, is unacceptable. However, the opening scene of this film depicts the bulls as having the agency to use their power to choose to fight and vie for the attention of the matador. By representing…

  • Okja. Dir. Bong Joon-ho. Netflix. 2017

    Okja. Dir. Bong Joon-ho. Netflix. 2017

    There are two kinds of pigs that make an appearance in Okja; genetically modified super-pigs and greedy, corporate capitalist pigs. The slaughterhouse scene forces the viewer to dispel any false idealism surrounding the reality of the meat industry, an explicit criticism of how human exceptionalist thinking blended with modern ‘capitalist delirium’ [1] has ruined the…

  • Arachnophobia, Dir. Frank Marshall, Hollywood Pictures, Franklin Entertainment, 1990.

    In one of the most suspenseful scenes in Arachnophobia, a young woman goes for a shower in the bathroom but is ambushed by one of the spider offspring in a tense cat-and-mouse sequence. Intended as an obvious play on the shower trope in horror films – where a conventionally attractive woman is stalked and attacked…