Tag: Fantasy
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Labyrinth. Dir Jim Henson. Warner Bros., Columbia Pictures, Sony Pictures, TriStar Pictures, FilmFlex, EMI Films. 1986.
Teaching a Teen, Canine Companions, and the First CGI Animal in Movie History The last Jim Henson release, Labyrinth, a cinema flop but since a cult classic, follows a teenage Jennifer Connelly (Sarah) trying to rescue her baby brother from David Bowie (Jareth) by making her way through a Labyrinth “where everything seems possible and…
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Alice in Wonderland. Dir. Clyde Geronimi, Wilfred Jackson, Hamilton Luske, and Jack Kinney. Walt Disney Pictures. 1951.
A distinctive croquet game featuring flamingos as mallets and hedgehogs as balls becomes a symbol of societal norms and power dynamics in human-animal relationships, reflecting the era’s outlook on animal rights. Whimsy deviates from the real-world issues depicted in the original text, becoming rose-tinted rather than a mirror.
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The Little Prince. Dir. Mark Osborne. Paramount Pictures. 2015
“One sees clearly only with the heart. What is essential is invisible to the eye.” In The Little Prince the depiction of foxes defies conventional animality as they generally symbolise perfidy. But The Fox here is characterised as holding pragmatic intellectual power. He is a teacher but does not hold any other forms of power,…
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Porco Rosso. Dir. Hayao Miyazaki. Studio Ghibli. 1992.
Porco Rosso follows a former fighter pilot who abandoned the Italian military, transformed into a pig, and becomes a bounty hunter that fights pirates. One day he meets American pilot Curtis who was contracted by pirates and is in love with Porco’s friend Gina. Curtis realises Gina loves Porco despite him being a pig and…
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Hocus Pocus. Dir Kenny Ortega. Walt Disney Pictures. 1993
Thackery Binx is one of the central figures of Hocus Pocus, and in doing this the film considers the status of domesticated animals within society and cinema. Hocus Pocus acknowledges cats’ role as a domestic sphere defenders. Binx is specifically transformed into a cat because of the meanings we associate with them in our society,…
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Spirited Away. Dir Hayao Miyazaki. Toho Company Ltd. 2001.
Miyazaki’s 2001 Spirited Away, blurs the binary of human, animal, mythology, and spirit. Each character has its own version of this intersectionality, creating different presentations of ontology that in turn create varying perceptions. The film encourages us to reflect on how our own perceptions of fear in cinematic animal species are moulded through the presentation…
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Harry Potter and the Deathly Hallows: Part I. Dir. By David Yates. Warner Bros Pictures. 2010.
Harry Potter and the Deathly Hallows: Part I (2011) is the penultimate film in the franchise. Harry, Ron and Hermione begin a desperate race to understand the instructions Dumbledore leaves after his death, concluding they must find and destroy the horcruxes that keep Voldemort alive before he discovers their quest. The horcruxes are objects containing…