Tag: Fantasy

  • E.T. the Extra-Terrestrial. Dir. Steven Spielberg. Universal Pictures. 1982

    Steven Spielberg’s E.T. the Extra-Terrestrial (1982), despite its tearful conclusion in which 10-year-old Elliott is parted from his extra-terrestrial friend aptly named ‘E.T.’, is revered for its thematic sentimentality (popularised by its iconic John Williams score) and stood him in contrast to his contemporary auteurs such as Martin Scorsese and Francis Ford Coppola, who adopted…

  • Dumbo. Dir. Tim Burton. Walt Disney Studios. 2019.

    Magic. Mayhem. Friendship. Freedom. Come on down to Medici’s circus, where the newest attraction is an adorable baby elephant with ears too big to handle. Watch him soar above and follow his heart as he dreams of being reunited with his mother, so tragically torn apart! Follow him to Vandevere’s circus, where he is a…

  • A Christmas Carol. Dir. Robert Zemeckis. Walt Disney Studios Motion Pictures. 2009.

    ‘Even the blind men’s dogs appeared to know him; and when they saw him coming on, would tug their owners into doorways and up courts; and then would wag their tails as though they said, “No eye at all is better than an evil eye, dark master!’ [1] Guide dogs have been a symbol of…

  • Nanny McPhee and The Big Bang. Dir. Susanna White. Universal Pictures. 2010.

    Susanna White’s Nanny McPhee And The Big Bang (2010) introduces Mr Edelweiss as Nanny McPhee’s mischievous sidekick. Mr Edelweiss is a Jackdaw crow, a member of the Corvid species, who are known for their thieving habits. This scene is particularly interesting as the human-animal relationship portrayed causes a shift in the predicted stock characters of…

  • 2001: A Space Odyssey. Dir. Stanley Kubrick. Metro-Goldwyn Mayer. 1968.

    As with the majority of Stanley Kubrick’s filmography (we’ll mutually agree to exclude Fear and Desire from this conversation), 2001: A Space Odyssey has been subjected to extensive film analysis and criticism. This article will explore the implications of the film’s perpetuation of sociologically-constructed human-animal boundaries in order to articulate the commonality of violence across…

  • Dumbo. Dir. Tim Burton. Walt Disney Studios. 2019.

    “Fly, Dumbo! Fly!” Did you know that the story of Dumbowas based on a real elephant, Jumbo, in PT Barnum’s circus? While the beloved baby elephant found his happy ever after, the original was not so lucky. Awfully abused and in declining health, at the age of 24, Jumbo was killed by a train when…

  • Batman Begins. Dir. Christopher Nolan. Warner Bros. 2005.

    Why does Batman dress like a bat? In the words of Batman himself, “bats frighten me. It’s time my enemies shared my dread.” In Batman Begins, the boundaries between human and animal are psychologically breached through Bruce’s lifelong phobia of bats. This all-consuming dread leads to Bruce’s attempt to confront this fear through exposure therapy.…

  • The Good Dinosaur. Dir. Peter Sohn. Disney Pixar. 2015.

    Ever wondered what life would be like if dinosaurs never became extinct? Well, you’ll never have to wonder again thanks to The Good Dinosaur. In this alternate world human-animal relationships are reversed as the dinosaurs are civilised and positioned above humans hierarchically. In doing so, this film evokes questions surrounding the ethics of human practices…

  • The Ant Bully. dir. John A. Davis. Warner Bros. Pictures. 2006.

    The Ant Bully chronicles the adventure of Lucas Nickle, who demolishes an anthill one day in frustration over being bullied by the neighbourhood kids. In response, the ants shrink Lucas down and sentence him to live and work in the colony as one of their own, with the hope of creating “a brighter future for…

  • The Mask. Dir. Charles Russell. New Line Cinema. 1994.

    This scene in the film The Mask shows the protagonist Stanley in prison after being caught by police when in his Mask character. This short clip from the film allows us to truly see first-hand the love that Milo has for his owner, as well as the intelligence that he has. The pet- relationship that…