ZooScope

Tag: HAR: Animal Agency

  • The Little Prince. Dir. Mark Osborne. Paramount Pictures. 2015

    The Little Prince. Dir. Mark Osborne. Paramount Pictures. 2015

    The Little Prince uses the animated medium of a children’s film to reconfigure the representation of the snake. A ‘common trope’ also applied here, is to present snakes as a certain bringer of death. The image of a reptile being posed as ‘cold-hearted aggressor’ is familiar as it goes back to Adam and Eve –…

  • The Simpsons Movie. Dir. David Silverman. 20th Century Fox. 2007.

    Why does everything I whip leave me? – Homer Simpson, The Simpsons Movie The Simpsons Movie is characterised by imprisonment vs agency – the central plot revolves around the incarceration of the town of Springfield using a giant glass dome as a punishment for environmental damage – therefore it seems only right to extend the…

  • The Good Dinosaur. Dir. Peter Sohn. Disney Pixar. 2015.

    Ever wondered what life would be like if dinosaurs never became extinct? Well, you’ll never have to wonder again thanks to The Good Dinosaur. In this alternate world human-animal relationships are reversed as the dinosaurs are civilised and positioned above humans hierarchically. In doing so, this film evokes questions surrounding the ethics of human practices…

  • The Platform (El Hoyo). Dir. Galder Gaztelu-Urrutia. Festival Films & Netflix. 2019

    Of course, it is odd to gaze from social isolation into absolute claustrophobia while still in a lockdown: Galder Gaztelu-Urrutia’s twisted dystopian Sci-Fi thriller El Hoyo (in international release The Platform) is about being trapped in a large concrete construction that resembles a maintenance hole.  It is also about social hierarchies constructed as a result:…

  • The Ant Bully. dir. John A. Davis. Warner Bros. Pictures. 2006.

    The Ant Bully chronicles the adventure of Lucas Nickle, who demolishes an anthill one day in frustration over being bullied by the neighbourhood kids. In response, the ants shrink Lucas down and sentence him to live and work in the colony as one of their own, with the hope of creating “a brighter future for…

  • Turner and Hooch. Dir. Roger Spottiswoode. Touchstone Pictures. 1989.

    Charles Darwin once stated ‘It is scarcely possible to doubt that the love of man has become instinctive in the dog’. [1] In the case of Turner and Hooch (1989), Hooch’s love for Turner and vice versa takes its time and only arises onside the development of a perfect police office-police dog understanding and partnership.…

  • The Platform (El Hoyo). Dir. Galder Gaztelu-Urrutia. Festival Films & Netflix. 2019

    In the twisted dystopian science fiction movie “The Platform,” inmates of a vertically piled up prison, with two inmates on each floor, fight for bare survival due to the lack of food for the entire population. An extensive buffet of the finest hearty and sweet food travels, from top to bottom through the middle of…

  • Willard. Dir. Glen Morgan. New Line Cinema. 2003.

    Glen Morgan’s disturbing horror film Willard portrays the life of social misfit Willard Stiles (played by Crispin Glover), and a colony of trained rats who live in the basement of his somewhat derelict mansion. Whilst at first Willard intends to dispose of the rodents, he instead connects with a distinctive white rat whom he names…

  • Ted 2. Dir Seth MacFarlane. Universal Pictures. 2015.

    Ted 2 is the second instalment of the Ted series in which John (Mark Wahlberg), as a child wishes for his teddy bear, Ted (Seth MacFarlane), to come to life. What follows is thirty-something years of memories, shenanigans and improper behaviour. The first film follows the pair as John finally learns to ‘grow up’. We find…

  • The Lighthouse. Dir. Robert Eggers. A24. 2019.

    “𝑩𝒆𝒔𝒕 𝒚’𝒍𝒆𝒂𝒗𝒆 𝒕𝒉𝒆 𝒈𝒖𝒍𝒍𝒔 𝒃𝒆. 𝑰𝒏 ’𝒆𝒎𝒔 𝒕𝒉𝒆 𝒔𝒐𝒖𝒍𝒔 𝒐𝒇 𝒔𝒂𝒊𝒍𝒐𝒓𝒔 𝒘𝒉𝒂𝒕 𝒎𝒆𝒕 𝒕𝒉𝒆𝒊𝒓 𝒎𝒂𝒌𝒆𝒓.” The Lighthouse is a film about madness and evil. The film uses the arrival and death of a seagull, at the hands of Thomas, to explore the threshold between sanity and madness, and our capacity for evil. Thomas’ sanity is questioned…