ZooScope

Category: Distributor: Warner Brothers

  • Labyrinth. Dir Jim Henson. Warner Bros., Columbia Pictures, Sony Pictures, TriStar Pictures, FilmFlex, EMI Films. 1986.

    Labyrinth. Dir Jim Henson. Warner Bros., Columbia Pictures, Sony Pictures, TriStar Pictures, FilmFlex, EMI Films. 1986.

    Teaching a Teen, Canine Companions, and the First CGI Animal in Movie History The last Jim Henson release, Labyrinth, a cinema flop but since a cult classic, follows a teenage Jennifer Connelly (Sarah) trying to rescue her baby brother from David Bowie (Jareth) by making her way through a Labyrinth “where everything seems possible and…

  • Every Which Way but Loose. Dir. James Fargo. Warner Bros. 1978.

    James Fargo’s 1978 film Every Which Way but Loose follows Clint Eastwood’s character Philo Beddo and his orangutan companion Clyde in their search for love. The audience’s expectations of human-animal relationships depicting docile animals who are human playthings are immediately subverted by Philo’s interactions with Clyde, the orangutan.  Clyde throughout the film is given a freedom not…

  • Harry Potter and the Deathly Hallows: Part I. Dir. By David Yates. Warner Bros Pictures. 2010.

    Harry Potter and the Deathly Hallows: Part I. Dir. By David Yates. Warner Bros Pictures. 2010.

    Harry Potter and the Deathly Hallows: Part I (2011) is the penultimate film in the franchise. Harry, Ron and Hermione begin a desperate race to understand the instructions Dumbledore leaves after his death, concluding they must find and destroy the horcruxes that keep Voldemort alive before he discovers their quest. The horcruxes are objects containing…

  • Corpse Bride. Tim Burton. Warner Brothers. 2005.

    Corpse Bride. Tim Burton. Warner Brothers. 2005.

    ‘In the act of othering, what is projected onto the other is all that must be refused in constructing the identity of the self’[1]. Consequently, establishing a human/animal binary often leads to a hierarchical relationship, highlighting the difference between human and non-human ‘other’. Such binary differences are reminiscent of common tropes in gothic literature, with…

  • Godzilla: King of the Monsters. Dir. Michael Dougherty. Warner Bros. Pictures. 2019.

    “Good thing he’s on our side” … “For now” How do we define the term ‘Monster’? Or perhaps, how should we define it? Is there ever a possibility that the monster we feared can end up being the hero we never knew we needed? This is the question posed within Michael Dougherty’s 2019 Action film…

  • Batman Begins. Dir. Christopher Nolan. Warner Bros. 2005.

    Why does Batman dress like a bat? In the words of Batman himself, “bats frighten me. It’s time my enemies shared my dread.” In Batman Begins, the boundaries between human and animal are psychologically breached through Bruce’s lifelong phobia of bats. This all-consuming dread leads to Bruce’s attempt to confront this fear through exposure therapy.…

  • The Ant Bully. dir. John A. Davis. Warner Bros. Pictures. 2006.

    The Ant Bully chronicles the adventure of Lucas Nickle, who demolishes an anthill one day in frustration over being bullied by the neighbourhood kids. In response, the ants shrink Lucas down and sentence him to live and work in the colony as one of their own, with the hope of creating “a brighter future for…

  • Storks. Dir. Doug Sweetland, Nicolas Stoller. Warner Bros.Pictures. 2016.

    Anthropomorphism and stereotypes are often utilized in children’s animation since they cater to a broad audience. The film Storks uses anthropomorphic animals in order to create vivid and lively characters with human characteristics whom the audience can relate to. Moreover, integrating well-known stereotypes in the storyline can evoke empathy or disdain for real animals, such…

  • The Watchmen. Dir. Zach Snyder. Warner Bros. 2009.

    What can dogs tell us about criminality? With regards to Zach Snyder’s Watchmen, the answer is ‘quite a lot.’ Dogs are used within the film to align the binaries of legality and criminality with humanity and animality. There is a particular focus on the possibilities of transgression, as both the anti-hero and the villain commit…

  • It: Chapter Two. Dir. Andy Muschietti. Warner Brothers. 2019

    Following this scene, we see the characters of Richie (Bill Hader) and Eddie (James Ransone) petrified by Pennywise, a shape-shifting creature known as a Glamour, following them; they open a door and are greeted by a cute Pomeranian dog, creating an air of bathos. Here, we have a conflict of genres as the primary classification…