Category: Distributor: Warner Brothers

  • Cujo. Dir. Lewis Teague, Warner Bros. pictures. 1983.

    St. Bernards. Aren’t they adorable? Slobbering bundles of joy that get up to all sorts of mischief. This loveable breed of dog has certainly enjoyed its share of the Hollywood spotlight, therefore, there’s no other option but to discuss everyone’s favourite troublemaker. No, not Beethoven (Figure 1) I am, of course, talking about Cujo, family…

  • The Shining. Dir. Stanley Kubrick. Warner Brothers. 1980.

    A notoriously disturbing moment in The Shining (1980) is the ‘bear costume’ scene, which poses questions why Kubrick specifically chose this animal and its symbolic purpose in this bizarre shot. The cheap appearance, thus inauthenticity of the costume, intentionally reminds viewers of the human inside the outfit, removing its animality in favour of humanity and…

  • They Shall Not Grow Old. Dir. Peter Jackson. Warner Bros. Entertainment Inc.. 2018.

    Not often is a film’s purpose so clearly stated in its title, yet Peter Jackson’s They Shall Not Grow Old1(TSNGO) is a documentary with meticulous dedication to preserving the stories of those who fought in World War One. Framed by black and white footage of pre-war conscription and the return home from combat, the documentary’s centre is…

  • Fantastic Beasts and Where to Find Them. Dir. David Yates. Warner Bros. Pictures. 2016.

    Courage, nerve, chivalry, the makings of a true her- oh? This story is about a Hufflepuff? Newt Scamander (played by Eddie Redmayne) is not from Gryffindor, he bears no lightning scar, and he is well beyond the teenage wizard angst of the Harry Potter series. Instead of a Chosen One, our hero is a… Magizoologist. We meet…

  • Harry Potter and the Goblet of Fire. Dir. Mike Newell. Warner Bros. 2005.

    In Mike Newell’s ‘Harry Potter and the Goblet of Fire’, dragons are portrayed as symbols of the overriding danger that follows Harry throughout the film. This is made particularly apparent during Harry’s chase with a Hungarian Horntail in the first task of the Triwizard Tournament. In this scene, Newell’s use of both diegetic and non-diegetic sounds…

  • Harry Potter and the Chamber of Secrets. Dir. Chris Columbus. Warner Bros. 2002.

    Harry Potter and the Chamber of Secrets utilizes horror film narratives and their depiction of monstrous animals in order to reveal a deeper complex message regarding human-animal relationships. The franchise’s reliance on Ophidiophobia acts to highlight the negative animalisation assigned to animals such as snakes, whilst the treatment of the Basilisk by humans in the film…

  • Mad Max: Fury Road. Dir. George Miller. Warner Bros. 2015.

    Miller’s use of post-apocalyptic colour is deliberate and ground-breaking. Mad Max: Fury Road is saturated with reds and oranges. Immediately following a fight scene that results in a lead-character casualty, the colouring changes to a palette of deep blues and blacks. This immediately creates an association around the characters within of death; alongside the Crow…

  • The Golden Compass. Dir. Chris Weitz. Warner Bros. Pictures. 2007.

    The Golden Compass is set in a parallel universe where old fashioned styles (like cars and dresswear) mixes with modern technology, such as electric motors. In this universe everyone has what is called a daemon, who act as guides to their masters. These daemons take form in a specific animal that best represents their master’s personality.…

  • Harry Potter and the Order of the Phoenix. Dir. David Yates. Warner Bros. Pictures. 2007.

    In Harry Potter and the Order of the Phoenix (2007), Harry contends with his isolation as a result of the ministry of magic, and a large portion of his fellow students, believing him to be lying about his experiences at the end of his last school year. These experiences include the return of the dark wizard, Voldemort,…

  • Anchorman: The Legend of Ron Burgundy. Dir. Adam McKay. DreamWorks Studios. 2004.

    Anchorman, starring Will Ferrell as the eponymous Ron Burgundy, is a tongue-in-cheek comedy that parodies 1970s American culture through its extremely self-conscious, gross-out style. The absurdity of Ron’s character is epitomized by the heavily exaggerated ‘man’s best friend’ relationship he has with his dog Baxter, whose most significant moment in the film comes when he…