Tag: HAR: Violence
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Mason’s Rats. Dir. Carlos Stevens. Netflix. 2022.
“Like World War fucking IV.” The Love, Death and Robots’ episode, Mason’s Rats, centres around conflict regarding control and the co-existence of humans and animals, specifically rats, in a world dominated by technologically advanced humans. Significantly, the identities of the two clashing forces – the rats and Mason – are used to portray the errors of internecine fighting, with…
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28 Days Later. Dir. Danny Boyle. Fox Searchlight Pictures. 2002.
Boyle’s 28 Days Later presents a devastated post-apocalyptic world in which a highly infectious rage virus spreads through humanity, causing those infected to be struck with mindless violent rage. The opening laboratory scene depicts the origin of the virus and moment the infection is first transmitted to humans. The spread to humans happens through chimpanzees…
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Every Which Way but Loose. Dir. James Fargo. Warner Bros. 1978.
James Fargo’s 1978 film Every Which Way but Loose follows Clint Eastwood’s character Philo Beddo and his orangutan companion Clyde in their search for love. The audience’s expectations of human-animal relationships depicting docile animals who are human playthings are immediately subverted by Philo’s interactions with Clyde, the orangutan. Clyde throughout the film is given a freedom not…
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The Handmaiden. Dir. Park Chanwook. 2016. CJ Entertainment. South Korea.
Content Warning: This post contains images of a sexual nature including artistic depictions of bestiality.
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Ginger Snaps. Dir. John Fawcett. Motion International.2000
“B, I Just Got The Curse” In his direction of the initial werewolf attack in Ginger Snaps (2000), John Fawcett repeatedly frames close shots of the creature’s bloodied snout and teeth as it savages the central character, Ginger. These close shots lead to what I argue is a reinterpretation of the lycanthrope, wherein the werewolf…
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Eternal Sunshine of the Spotless Mind. Dir. Michel Gondry. Focus Features. 2004.
Figure 1 Memories are the foundations for the complexity of individuals. We are created by the experiences we face, and to delve into the past is to delve into the system of our personal construction. According to Bowman (2004, p. 85), themes of memory in film generate emotion because, instinctively, to lose our memory equates…
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Lamb. Dir. Valdimar Jóhannsson. Sena. 2021
Like a lamb to the slaughter, the slow-burn, absurd surrealness of A24’s Lamb (2021) leads the audience to an end that blends both chilling twists and heartbreaking loss as the complications that are inevitable with blurring binaries between human-animal relations come to fruition. In a playful, sardonic reconfiguration of oppositions between captivity and freedom, wildness…
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Harry Potter and the Deathly Hallows: Part I. Dir. By David Yates. Warner Bros Pictures. 2010.
Harry Potter and the Deathly Hallows: Part I (2011) is the penultimate film in the franchise. Harry, Ron and Hermione begin a desperate race to understand the instructions Dumbledore leaves after his death, concluding they must find and destroy the horcruxes that keep Voldemort alive before he discovers their quest. The horcruxes are objects containing…
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Taxidermia (György Pálfi, 2006, Amor Far Filmproduktion).
Hungarian cinema leaves us feeling stuffed! Figure A – Lajoska Balatony surrounded by stuffed animals. Taxidermia (György Pálfi, 2006, Amor Far Filmproduktion). Pálfi’s 2006 body horror Taxidermia, follows the story of three generations of men in three acts; each concerning a different afflicted and animalistic perversion. It begins with Morosgoványi Vendel, a sexually perverse man…