Tag: Magical
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Coco. Dir. Lee Unkrich. Walt Disney Studios Motion Pictures. 2017.
Lee Unkrich’s Coco (2017) is built on similar foundations of recent Disney/Pixar releases alike Moana(2016) and The Good Dinosaur(2015); twelve year old Miguel’s (Anthony Gonzalez) dream of becoming a musician compromises his family’s ban on music and their hope for Miguel to continue the family business.[i]Yet what may feel like recognisable narrative territory, the enriched setting of traditional Mexico…
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Fantastic Beasts and Where to Find Them. Dir. David Yates. Warner Bros. Pictures. 2016.
Courage, nerve, chivalry, the makings of a true her- oh? This story is about a Hufflepuff? Newt Scamander (played by Eddie Redmayne) is not from Gryffindor, he bears no lightning scar, and he is well beyond the teenage wizard angst of the Harry Potter series. Instead of a Chosen One, our hero is a… Magizoologist. We meet…
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Jumanji. Dir. Joe Johnson . TriStar Pictures . 1996.
Ever felt like your life was just one long game, and everything to happen was caused by the roll of a dice? No? Well try living 26 years inside Jumanji, a game where all of your psychological fears and anxieties manifest in the shape of wild animals, whether they are excessively oversized mosquitos and spiders,…
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Coco. Dir. Lee Unkrich. Walt Disney Studios Motion Pictures. 2017.
Helping Miguel Rivera navigate the Land of the Dead as he seeks to find his great-great-grandfather is Dante, the stray Xoloitzcuintli dog. However, when it is revealed that Dante is instead a “mythical” and “powerful” alebrije or spirit guide, this subsequently exposes a tension between his two identities. This scene in particular sees Miguel use…
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Harry Potter and the Goblet of Fire. Dir. Mike Newell. Warner Bros. 2005.
In Mike Newell’s ‘Harry Potter and the Goblet of Fire’, dragons are portrayed as symbols of the overriding danger that follows Harry throughout the film. This is made particularly apparent during Harry’s chase with a Hungarian Horntail in the first task of the Triwizard Tournament. In this scene, Newell’s use of both diegetic and non-diegetic sounds…