Tag: HAR: Farming
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Nomadland. Chloe Zhao. Searchlight Pictures. 2020.
Chloe Zhao’s 2021 feature film Nomadland explores the conditions of the American landscape, nomadic experiences and estranged relationships of belonging amidst continuously unstable socio-political and economic conditions of the 21st century. Zhao blends a naturalist style of filmmaking with observational realism to explore the stories of nomads living in rural America, employing non-actors to play…
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The Banshees of Inisherin. Dir. Martin McDonagh. Searchlight Pictures. 2015
“Do you think God gives a damn about miniature donkeys, Colm?” “I fear he doesn’t. And I fear that’s where it’s all gone wrong.” Martin McDonagh’s, “The Banshees of Inisherin” (2022), is a Tolstoyan tragicomedy combined with macabre naturalism which works to present the asperity and invaluableness of life and friendship. One significant friendship occurs between…
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I’m Thinking of Ending Things. Dir. Charlie Kaufman. Netflix. 2020.
“There’s just something… ineffable. Profoundly, unutterably, unfixably wrong here.”
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Bait. Dir. Mark Jenkin. British Film Institute. 2019.
Core to Mark Jenkin’s 2019 film, Bait, is a narrative depicting the gentrification of the coastal land and community in Cornwall. Following Martin, a local fisherman, Jenkin’s film emphasises how the tourism industry alienates and disenfranchises localised heritage and livelihoods. Martin’s job is central to this. The fish and lobsters that he catches serve as…
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Train to Busan. Dir. Yeon Sang-ho. Next Entertainment World. 2016.
Content warning: This article contains images of real animal death. The opening of Yeon Sang-ho’s action-horror film Train to Busan (2016) interprets the circumstances that lead to the epidemic at the centre of the ‘zombie apocalypse’ genre through an incident with a farmer and a deer. Considering the film’s narrative is characterised by a linearity…
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Red River. Dir. Howard Hawks. Monterey Productions. 1948.
American expansionism and the frontier myth – the romanticisation of prosperity found in claiming the ‘wilderness’ and the forceful expansion of the American border – pillars of the Western genre [1]. From Jan Troell’s The New Land (1982), John Ford’s Wagon Master (1950) to Charlie Chaplin’s Gold Rush (1925); Western cinema has constantly glorified the rich…
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Lamb. Dir. Valdimar Jóhannsson. Sena. 2021
Like a lamb to the slaughter, the slow-burn, absurd surrealness of A24’s Lamb (2021) leads the audience to an end that blends both chilling twists and heartbreaking loss as the complications that are inevitable with blurring binaries between human-animal relations come to fruition. In a playful, sardonic reconfiguration of oppositions between captivity and freedom, wildness…
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Children of Men. Dir. by Alfonso Cuarón. Universal Pictures. 2006.
Children of Men (2006) dir. by Alfonso Cuarón is a science-fiction action drama that takes place in a Britain in 2027. The world for around 18 years has been infertile, unable to produce children. This dystopian scenario has caused all the worlds countries to collapse with the only surviving nation-state being Britain. Britain has remained…