Tag: Family

  • Don’t Look Up, Adam McKay, 2021, Netflix

    “You’re going to die! You’re going to die!” Through a plot that follows the fight for a response to humanity’s impending doom when a comet is discovered to be heading for Earth, the message of Don’t Look Up is clear: unless those with power start listening to those calling for action against global disasters –…

  • Penguin Bloom. Dir. Glendyn Ivin. Netflix, Inc. 2021.

    Penguin Bloom. Dir. Glendyn Ivin. Netflix, Inc. 2021.

    Inspired by true events, Penguin Bloom tells the story of Sam Bloom, a mother and wife who became paralysed after a serious accident.  As she struggles through a difficult recovery, a small miracle occurs, a magpie called Penguin enters the Bloom family, changing the course of their lives forever. This scruffy looking creature builds an…

  • Rango. Dir. Gore Verbinski. Paramount Pictures. 2011.

    Rango. Dir. Gore Verbinski. Paramount Pictures. 2011.

    As Rango’s terrarium hits the concrete and shatters, the bleak reality of human nature and the wake of destruction we leave becomes apparent. To humans, animal suffering is a mere bump in the road – literally. In the opening scene of Rango, the car in which Rango is travelling hits a passing armadillo attempting to…

  • The One and Only Ivan. Dir. Thea Sharrock. Walt Disney Studios Motion Pictures. 2020.

    As the name of the film suggests, The One and Only Ivan showcases the individuality of animals and their much-like human personas, highlighting the injustice of their captivity. Standing out from Disney’s animated catalogue, the use of CGI (computer-generated) animals encourages the audience to interpret the unexaggerated personality of the animal protagonist by presenting them…

  • Pocahontas. Dir. Eric Goldberg and Mike Gabriel. The Walt Disney Company. 1995.

    In Pocahontas, the animosity between Meeko, the Native American raccoon and Percy, the English pug is a microcosm of the conflict between the Native and English humans. The animals are comic foils, providing family-friendly slapstick relief from human violence. However, the inclusion of animals adds meaning beyond just comedic value. The animals and humans both…

  • Paulie. Dir. John Roberts. Dreamworks Pictures. 1998

    Paulie. Dir. John Roberts. Dreamworks Pictures. 1998

    Paulie is a  blue crowned conure, trapped in a small cage within a Research Institute. When he befriends Misha the janitor, Misha realises that Paulie can do more than talk- Paulie understands! Paulie is a family film that uses comedy and lighthearted fun to discuss the issues it presents. Paulie’s ideal life is to return…

  • Scooby-Doo on Zombie Island. Dir. Jim Stenstrum. Hanna-Barbera Cartoons. 1998.

    Scooby-Doo on Zombie Island[1] is subversive both in terms of subverting what you’d expect from a typical Scooby outing (substituting criminals in masks with genuine monsters) and subverting ideas of what it truly means to be villainous. Immortal werecats Simone and Lena (fig. 1) sacrificed their souls to their cat god to exact revenge against…

  • The Lion King. Dir. Jon Favreau. Walt Disney Pictures and Fairview Entertainment. 2019.

    ‘There’s a stampede, in the pride lands’, Zazu’s memorable line is word-for-word identical to the 1994 animation. But where the animation focused on a simple plot, Jon Favreau’s recreation with CGI animals creates depth by building more of the animals’ characterisation into the story, I will question how this creates problems with humanising certain animals…

  • The Little Prince. Dir. Mark Osborne. Paramount Pictures. 2015

    The Little Prince. Dir. Mark Osborne. Paramount Pictures. 2015

    The Little Prince uses the animated medium of a children’s film to reconfigure the representation of the snake. A ‘common trope’ also applied here, is to present snakes as a certain bringer of death. The image of a reptile being posed as ‘cold-hearted aggressor’ is familiar as it goes back to Adam and Eve –…

  • The Simpsons Movie. Dir. David Silverman. 20th Century Fox. 2007.

    Why does everything I whip leave me? – Homer Simpson, The Simpsons Movie The Simpsons Movie is characterised by imprisonment vs agency – the central plot revolves around the incarceration of the town of Springfield using a giant glass dome as a punishment for environmental damage – therefore it seems only right to extend the…