Tag: Drama

  • Red River. Dir. Howard Hawks. Monterey Productions. 1948.

    American expansionism and the frontier myth – the romanticisation of prosperity found in claiming the ‘wilderness’ and the forceful expansion of the American border – pillars of the Western genre [1]. From Jan Troell’s The New Land (1982), John Ford’s Wagon Master (1950) to Charlie Chaplin’s Gold Rush (1925); Western cinema has constantly glorified the rich…

  • Beverly Hills Chihuahua. Dir. Raja Gosnell. Walt Disney Pictures. 2008.

    Beverly Hills Chihuahua. Dir. Raja Gosnell. Walt Disney Pictures. 2008.

    In Beverly Hills Chihuahua, the superiority and entitlement of animals are used as tropes to represent Chloe the chihuahua and her furry friends’ authority over Rachel, Chloe’s dogsitter. This is captured within the pool party scene through the decision to construct dominant representations of the dogs and represent Rachel, the human, as an inferior servant…

  • Babe (1995) directed by Chris Noonan

    The 1995 edition of Babe directed by Chris Noonan presents Babe the pig to be defined by the type of relationship he has with humans. The relationship in this film that is concentrated on is the shift from working animal to food animal. This film is enough to turn anyone vegetarian, in fact James Cromwell…

  • Eternal Sunshine of the Spotless Mind. Dir. Michel Gondry. Focus Features. 2004.

    Figure 1 Memories are the foundations for the complexity of individuals. We are created by the experiences we face, and to delve into the past is to delve into the system of our personal construction. According to Bowman (2004, p. 85), themes of memory in film generate emotion because, instinctively, to lose our memory equates…

  • Togo. Dir. Ericson Core. Walt Disney Studios. 2019

    What does he bring to the breed? The heart of a survivor. [1] The relationship between men and dogs is often explored within film. The contrast between rambunctious, troublesome animals and dominant, controlling men is a source of comedy, drama and widely popular with audiences. Seen in the likes of Beethoven[2] and Marley and Me[3],…

  • Ant-Man. Dir. Peyton Reed. Marvel Studios. 2015.

    Ant-Man. Dir. Peyton Reed. Marvel Studios. 2015.

    ‘You’ve yet to learn about your greatest allies: the ants. Loyal, brave, and your partners on this job.’ As you’ve undoubtedly predicted from the title, ants play a huge role in Marvel’s Ant-Man[1] (2015). Master burglar Scott Lang, recently released from prison, is determined to cease his criminal ways so he can become a proper…

  • Children of Men. Dir. by Alfonso Cuarón. Universal Pictures. 2006.

    Children of Men (2006) dir. by Alfonso Cuarón is a science-fiction action drama that takes place in a Britain in 2027. The world for around 18 years has been infertile, unable to produce children. This dystopian scenario has caused all the worlds countries to collapse with the only surviving nation-state being Britain. Britain has remained…

  • E.T. the Extra-Terrestrial. Dir. Steven Spielberg. Universal Pictures. 1982

    Steven Spielberg’s E.T. the Extra-Terrestrial (1982), despite its tearful conclusion in which 10-year-old Elliott is parted from his extra-terrestrial friend aptly named ‘E.T.’, is revered for its thematic sentimentality (popularised by its iconic John Williams score) and stood him in contrast to his contemporary auteurs such as Martin Scorsese and Francis Ford Coppola, who adopted…

  • Pocahontas II: Journey to a New World. Dir. Tom Ellery and Bradley Raymond. Walt Disney Home Video. 1998.

    In Pocahontas II: Journey to a New World, Pocahontas voyages to England with John Rolfe, an English diplomat. She must stop the villainous Governor Ratcliffe’s manipulation of King James and prevent the King from declaring war on the Native Americans. As expected in a Disney film, she just happens to fall in love with Rolfe…

  • The Silence of the Lambs. Dir. Jonathan Demme. Orion Pictures. 1991.

    Alongside terrific and terrifying characters such as Hannibal Lecter and Clarice Starling, there is another sinister dramatis persona evoked in Jonathan Demme’s The Silence of the Lambs – that of the ‘Death’s Head Hawk-Moth’ and Buffalo Bill’s relation to them. It is unsurprising that the moth in this scene invokes dread in Clarice and the audience,…