Tag: Drama

  • The Banshees of Inisherin. Dir. Martin McDonagh. Searchlight Pictures. 2015

    The Banshees of Inisherin. Dir. Martin McDonagh. Searchlight Pictures. 2015

    “Do you think God gives a damn about miniature donkeys, Colm?”  “I fear he doesn’t. And I fear that’s where it’s all gone wrong.” Martin McDonagh’s, “The Banshees of Inisherin” (2022), is a Tolstoyan tragicomedy combined with macabre naturalism which works to present the asperity and invaluableness of life and friendship. One significant friendship occurs between…

  • The Little Prince. Dir. Mark Osborne. Paramount Pictures. 2015

    The Little Prince. Dir. Mark Osborne. Paramount Pictures. 2015

    “One sees clearly only with the heart. What is essential is invisible to the eye.” In The Little Prince the depiction of foxes defies conventional animality as they generally symbolise perfidy. But The Fox here is characterised as holding pragmatic intellectual power. He is a teacher but does not hold any other forms of power,…

  • The Future. Dir. Miranda July. Roadside Attractions (US). 2011

    The title of the film, The Future, is emblematic of the very thing the characters fear, what is the unknown. July certainly lets the cat out of the bag as she reveals her inner monologue through the narration of an anthropomorphic feline.  The cat plays a central role in the drama, as it begins with…

  • An American Tail. Dir. Don Bluth. Universal Pictures.1986

    An American Tail. Dir. Don Bluth. Universal Pictures.1986

    An American Tail tracks the adventures of Fievel Mousekewitz a brave (and reckless) little mouse, his Russian-Jewish family, and their treacherous journey from Russia to New York in the search for the American Dream that will put some distance between them and cats… or so they thought. The film tells a story within a story,…

  • Bait. Dir. Mark Jenkin. British Film Institute. 2019.

    Bait. Dir. Mark Jenkin. British Film Institute. 2019.

    Core to Mark Jenkin’s 2019 film, Bait, is a narrative depicting the gentrification of the coastal land and community in Cornwall. Following Martin, a local fisherman, Jenkin’s film emphasises how the tourism industry alienates and disenfranchises localised heritage and livelihoods. Martin’s job is central to this. The fish and lobsters that he catches serve as…

  • An American Tail. Dir. Don Bluth. Universal Pictures.1986

    An American Tail. Dir. Don Bluth. Universal Pictures.1986

    “There are no cats in America“ Don Bluth’s An American Tail is a 2D animation family film in which the human drama of religious persecution, poverty and immigration at the end of the 19th century is narrated through the eyes of a Russian Jewish family of mice, the Mousekewitz, and particularly through Fievel, the seven-year-old…

  • Me and You and Everyone We Know. Dir. Miranda July. IFC Films. 2005

    Me and You and Everyone We Know – fish scene Goldfish have been domesticated by humans for thousands of years, and Me and You and Everyone We Know invites an engrossing encounter with the sea animal as it appears in a plastic bag swaying on top of a fast-moving car. This clip of a fleeting…

  • Sing. Dir. Garth Jennings. Illumination Entertainment. 2016

    Sing. Dir. Garth Jennings. Illumination Entertainment. 2016

    Illumination Entertainment’s Sing is a computer animated film that follows a group of anthropomorphic animals taking part in a singing competition that interferes in the contestants’ privates lives, representing society and human struggles through them. In this scene, the money heist, gorillas perform mundane human tasks like singing and driving. Johnny is a large and…

  • Wendy and Lucy, Dir. Kelly Reichardt, Oscilloscope Pictures (2008)

    Wendy and Lucy, Dir. Kelly Reichardt, Oscilloscope Pictures (2008)

    A Photo of Lucy who stands at the front of the shot panting, and her owner Wendy who stands behind her, separated by a chain-linked fence. (1) Wendy and Lucy (2008) Whilst spending the majority of the film searching for her lost companion after getting arrested for stealing dog food she can’t afford from a…

  • Every Which Way but Loose. Dir. James Fargo. Warner Bros. 1978.

    James Fargo’s 1978 film Every Which Way but Loose follows Clint Eastwood’s character Philo Beddo and his orangutan companion Clyde in their search for love. The audience’s expectations of human-animal relationships depicting docile animals who are human playthings are immediately subverted by Philo’s interactions with Clyde, the orangutan.  Clyde throughout the film is given a freedom not…