ZooScope

Tag: Crow(s)

  • Felidae. Dir. Michael Schaack.Wild Bunch. 1994.

    Warning- this article will contain graphic animated imagery as well as major spoilers for the film Felidae (1994) “What I was watching wasn’t exactly a scene out of The Aristocats.” -Francis in Felidae Released in 1994, the cult neo-noir film Felidae immediately sets itself apart from its earlier animated feline predecessors, with Schaack’s adaptation refusing…

  • Rango. Dir. Gore Verbinski. Paramount Pictures. 2011.

    Rango. Dir. Gore Verbinski. Paramount Pictures. 2011.

    As Rango’s terrarium hits the concrete and shatters, the bleak reality of human nature and the wake of destruction we leave becomes apparent. To humans, animal suffering is a mere bump in the road – literally. In the opening scene of Rango, the car in which Rango is travelling hits a passing armadillo attempting to…

  • The Secret of NIMH. Dir. Don Bluth. MGM/UA Entertainment Company. 1982.

    “We can no longer live as rats. We know too much.” The Secret of NIMH is remembered by many as a dark, creepy, and disturbing film, with retrospectives published in recent years referring to it as leaving basically every kid who sees it with a lingering dread. Don Bluth’s directorial debut after leaving the Walt…

  • Howl’s Moving Castle. Dir. Hayao Miyazaki. Studio Ghibli. 2004.

    There is a surprising lack of non-human animal representation in Studio Ghibli’s 2004 film Howl’s Moving Castle, despite an overarching theme which frequently pits an idyllic pastoral version of Japan against a threateningly industrial one. The major depiction of human-animal relations is that of secondary protagonist Howl as he gradually transforms into a bird-like creature…

  • The Wizard of Oz. Dir. Victor Fleming, King Vidor, George Cukor, Richard Thorpe, Norman Taurog. MGM. 1939.

    The Wizard of Oz is about a small-town girl in the big city–the Emerald City. Dorothy lives on a farm in Kansas with her dog Toto. When she is knocked unconscious during a hurricane, she wakes up to find herself in the magical world of Oz, filled with a myriad of unusual creatures. She must travel…

  • Grizzly Man. Dir. Werner Herzog. Lions Gate Films. 2005.

    A fascinating aspect about Werner Herzog’s exploration of the life of Timothy Treadwell and his relationships with the wild grizzly bears of Alaska is his investigation of the way Treadwell interpreted the animal world, and the extent to which this reveals aspects to his character. A scene which exemplifies this interpretation is when we’re shown…

  • The Wizard of Oz. Dir. Victor Fleming, King Vidor, George Cukor, Richard Thorpe, Norman Taurog. MGM. 1939.

    The Wizard of Oz showcases, through its many varying forms of animal representation, the ways in which filmmakers deal with the challenge of creating animal characters, and how these different methods are used to craft personality traits such as the moral essence of the character. We can see this with regards to the flying monkeys, particularly…

  • Mad Max: Fury Road. Dir. George Miller. Warner Bros. 2015.

    Miller’s use of post-apocalyptic colour is deliberate and ground-breaking. Mad Max: Fury Road is saturated with reds and oranges. Immediately following a fight scene that results in a lead-character casualty, the colouring changes to a palette of deep blues and blacks. This immediately creates an association around the characters within of death; alongside the Crow…

  • The Fox and the Child. Dir. Luc Jacquet. Pathé. 2007.

    Luc Jacquet’s The Fox and the Child depicts an unnamed girl (Bertille Noël-Bruneau) exploring the French countryside and following its animal inhabitants. She develops an obsession with the titular fox and it becomes more trusting, but the girl disastrously oversteps the boundary and attempts to make the wild animal her pet. The film is interested in binaries…

  • The Fox and the Child. Dir. Luc Jacquet. Pathé. 2007.

    When asked in an interview how he approached making The Fox and the Child (2007) following the popularity of The March of the Penguins (2005), French director Luc Jacquet replied: I went into my childhood; into a memory I have of having looked into the eyes of a wild fox when I was a kid. I also noticed that…