Tag: Cows

  • The Banshees of Inisherin. Dir. Martin McDonagh. Searchlight Pictures. 2015

    The Banshees of Inisherin. Dir. Martin McDonagh. Searchlight Pictures. 2015

    “Do you think God gives a damn about miniature donkeys, Colm?”  “I fear he doesn’t. And I fear that’s where it’s all gone wrong.” Martin McDonagh’s, “The Banshees of Inisherin” (2022), is a Tolstoyan tragicomedy combined with macabre naturalism which works to present the asperity and invaluableness of life and friendship. One significant friendship occurs between…

  • Song of the Sea. Dir. Tomm Moore. StudioCanal. 2014

    Song of the Sea. Dir. Tomm Moore. StudioCanal. 2014

    Song of the Sea is full of magic, mystery and mayhem. Ben, a ten year old Irish boy, discovers that his mute sister Saoirse is a selkie. After Saoirse’s true nature is revealed, her father, blinded by fear, retaliates and hides the coat that enables her to transform. This separation causes Saoirse to fall ill.…

  • Babe (1995) directed by Chris Noonan

    The 1995 edition of Babe directed by Chris Noonan presents Babe the pig to be defined by the type of relationship he has with humans. The relationship in this film that is concentrated on is the shift from working animal to food animal. This film is enough to turn anyone vegetarian, in fact James Cromwell…

  • One Hundred and One Dalmatians. Dir. Wolfgang Reitherman, Clyde Geronimi, Hamilton Luske. Buena Vista Distribution. 1961.

    One hundred and one Dalmatians, ninety-nine of which are puppies, in a terraced house in London. How wonderful! The perfect Disney dream ending. Or in the realms of reality, a deluge of responsibility that is only going to increase if Roger and Anita, the owners, don’t begin to take spaying and neutering seriously. It is,…

  • Children of Men. Dir. by Alfonso Cuarón. Universal Pictures. 2006.

    Children of Men (2006) dir. by Alfonso Cuarón is a science-fiction action drama that takes place in a Britain in 2027. The world for around 18 years has been infertile, unable to produce children. This dystopian scenario has caused all the worlds countries to collapse with the only surviving nation-state being Britain. Britain has remained…

  • The Emperor’s New Groove. Dir. Mark Dindal. Walt Disney Pictures. 2000.

    The Emperor’s New Groove. Dir. Mark Dindal. Walt Disney Pictures. 2000.

    Disney’s animated comedy feature The Emperor’s New Groove follows the journey of a selfish Inca Emperor, Kuzco, who is transformed into a llama by his megalomaniac royal advisor, Yzma. In order to revert back into his human self and stop Yzma from taking over the Inca Empire, Kuzco persuades the gullible yet good-natured peasant Pacha…

  • The Platform (El Hoyo). Dir. Galder Gaztelu-Urrutia. Festival Films & Netflix. 2019

    Of course, it is odd to gaze from social isolation into absolute claustrophobia while still in a lockdown: Galder Gaztelu-Urrutia’s twisted dystopian Sci-Fi thriller El Hoyo (in international release The Platform) is about being trapped in a large concrete construction that resembles a maintenance hole.  It is also about social hierarchies constructed as a result:…

  • Raw. Dir. Julia Ducournau. Focus World. 2017.

    When Julia Ducournau’s debut feature film Raw (2017) was shown at Toronto’s Film Festival, paramedics were called to the scene after cinema-goers fainted during the screening.  Raw tells the story of highly gifted 16-year-old vegetarian, Justine (Garance Marillier) and her journey into a merciless and dangerously seductive world during her first week of veterinary school. During a gruesome hazing ritual,…

  • 1922. Dir. Zak Hilditch. Netflix. 2017.

    Zak Hilditch’s 2017 adaptation of Stephen King’s 1922 follows the story of Wilfred James, a corn farmer living in Nebraska, who, alongside the assistance of his teenage son, Henry, conspired to murder his wife, Arlette, after a dispute about selling her recently inherited land to move to the city. The story unravels the consequences of…

  • Monty Python and the Holy Grail. Dir. Terry Gilliam, Terry Jones. EMI Films. 1975.

    In the opening scene of Monty Python and the Holy Grail [1], a grassy hill is shown with the sound of horse’s hooves—only for a skipping King Arthur, and coconut-clomping servant to appear, sans horse. This sets the scene for the finest ever cinematic use of imaginary horses.