Category: Human-animal relation
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Open Season. Dir. Roger Allers. Sony Pictures Animation, Columbia Pictures. 2006
Staging an Attack Open Season (2006) uses light composition and visual design to critique dominant ideologies concerning hunter-and-hunted relationships and to reflect and shape particular cultural tensions relating to the protection of animals against violence. In a scene in which, misconceptions lead to a crowd panicking when it appears Boog is killing Elliot backstage, emphasis is placed…
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The Banshees of Inisherin. Dir. Martin McDonagh. Searchlight Pictures. 2015
“Do you think God gives a damn about miniature donkeys, Colm?” “I fear he doesn’t. And I fear that’s where it’s all gone wrong.” Martin McDonagh’s, “The Banshees of Inisherin” (2022), is a Tolstoyan tragicomedy combined with macabre naturalism which works to present the asperity and invaluableness of life and friendship. One significant friendship occurs between…
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The Little Prince. Dir. Mark Osborne. Paramount Pictures. 2015
“One sees clearly only with the heart. What is essential is invisible to the eye.” In The Little Prince the depiction of foxes defies conventional animality as they generally symbolise perfidy. But The Fox here is characterised as holding pragmatic intellectual power. He is a teacher but does not hold any other forms of power,…
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Mr Popper’s Penguins. Dir. Mark Waters. 20th Century Fox. 2011.
Jim Carrey and Penguins. It does not get any better. Think Beethoven but with Penguins. Try to spot the difference between the CGI penguins and the real ones. Grab the popcorn. As you can surmise from the title, the film details Mr Popper who is played by Jim Carrey and his hijinks with the penguin…
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Sonnie’s Edge. Dir. Dave Wilson. Netflix. 2019
That fear of death. Do you feel it? Are you scared now? – Sonnie Content warning: sexual assault, female violence, abuse Netflix’s animated anthology, Love Death & Robots, first aired in 2019, enticing viewers through a display of episodically unique art styles and stories. Created by David Fincher and Tim Miller, the series provided a creative leeway…
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An American Werewolf in London. Dir. John Landis. Universal Pictures. 1981.
“The wolf’s bloodline must be severed; the last remaining werewolf must be destroyed. It’s you David.” An American tourist, traumatised and alone wakes up in a London hospital after an attack on the Yorkshire Moors. His newly cursed body drifts between human and wolf as his deceased friend haunts him in limbo, telling him he…
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Hoodwinked!. Dir. Edwards, Cory. Kanbar Entertainment, Blue Yonder Films. 2005.
A retelling of the folktake Little Red Riding Hood as a police procedural, using backstories to show multiple characters’ points of view.[1] Hoodwinked! follows the classic who dunnit trope, deconstructing the fable of Little Red Riding Hood with a modern twist to narrate the mystery of the Goody bandit. It entertains basic animal stereotypes to translate the…
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The Bad Guys. Dir. Pierre Perifel. Universal Pictures. 2022.
Being good is no fun at all — or is it? Pierre Perifel’s feature directorial debut, tells the story of an infamous criminal group comprised of anthropomorphic animals — the titular Bad Guys — and how their leader begins to realise how good it feels to be…good? Following a parallel plot to Disney’s Zootopia (2016),…
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Under the Skin
Under the Skin is a science fiction film directed by Jonathan Glazer and released in 2013. It tells the story of an alien disguised as a human woman (played by Scarlett Johansson) who drives around Scotland in a van and uses her sexuality to persuade them to come back to her house. She is presented…
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Mason’s Rats. Dir. Carlos Stevens. Netflix. 2022.
“Like World War fucking IV.” The Love, Death and Robots’ episode, Mason’s Rats, centres around conflict regarding control and the co-existence of humans and animals, specifically rats, in a world dominated by technologically advanced humans. Significantly, the identities of the two clashing forces – the rats and Mason – are used to portray the errors of internecine fighting, with…