Category: Human-animal relation
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The Cat in the Hat. Dir. Bo Welch. DreamWorks Pictures. 2003
It’s fun to have fun but you have to know how! So, when up-tight, control-freak Sally, and born-to-be-wild child Conrad are left at home for the day, Welch’s reimagining of Seuss’ eponymous, anthropomorphic, wisecracking Cat in the Hat makes it his mission to show them how to enjoy themselves within the bounds of their constraining,…
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Antisemitism. The Rat Catcher. Dir. Wes Anderson. Netflix. 2023.
Is, I suppose, how the conversation went between Wes Anderson and his casting agent when searching for an actor to play the titular character. Following Anderson’s success with Fantastic Mr. Fox there is no surprise that Anderson jumped at the opportunity to return to the works of Roald Dahl. The Rat Catcher is a short…
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The Cat in the Hat. Dir. Bo Welch. DreamWorks Pictures. 2003
Bo Welch’s 2003 interpretation of Seuss’ eponymous, anthropomorphic The Cat in the Hat throws the human exceptionalism paradigm into full-blown turmoil as Mike Myers embodies a character that takes on various socially specific, “human” roles all whilst staying in character as Cat. Though it is not unusual for a film of this genre to depict…
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The Rat Catcher. Dir. Wes Anderson. Netflix. 2023.
September 2023 saw Wes Anderson’s return to the works of Roald Dahl with the cinematising of The Rat Catcher. In true Andersonian fashion the film foregrounds aesthetic and framing in order to focus our attention on the visual/character design of The Ratcatcher. Anderson uses animalisation to represent the rat via a human and aided by…
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Rushmore. Dir. Wes Anderson. 1998. Buena Vista Pictures.
Bees in Wes Anderson’s Rushmore The swarm of the bees scene in Wes Anderson’s 1998 comedy film Rushmore sees Herman J Blume (Bill Murray) subjected to further revenge for his romantic involvement with Miss Cross (Olivia Williams). Blume is rattled by an infiltration of bees in his hotel suite, orchestrated by the outraged Max Fischer (Jason…
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Open Season. Dir. Roger Allers. Sony Pictures Animation, Columbia Pictures. 2006
Staging an Attack Open Season (2006) uses light composition and visual design to critique dominant ideologies concerning hunter-and-hunted relationships and to reflect and shape particular cultural tensions relating to the protection of animals against violence. In a scene in which, misconceptions lead to a crowd panicking when it appears Boog is killing Elliot backstage, emphasis is placed…
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The Banshees of Inisherin. Dir. Martin McDonagh. Searchlight Pictures. 2015
“Do you think God gives a damn about miniature donkeys, Colm?” “I fear he doesn’t. And I fear that’s where it’s all gone wrong.” Martin McDonagh’s, “The Banshees of Inisherin” (2022), is a Tolstoyan tragicomedy combined with macabre naturalism which works to present the asperity and invaluableness of life and friendship. One significant friendship occurs between…
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The Little Prince. Dir. Mark Osborne. Paramount Pictures. 2015
“One sees clearly only with the heart. What is essential is invisible to the eye.” In The Little Prince the depiction of foxes defies conventional animality as they generally symbolise perfidy. But The Fox here is characterised as holding pragmatic intellectual power. He is a teacher but does not hold any other forms of power,…
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Mr Popper’s Penguins. Dir. Mark Waters. 20th Century Fox. 2011.
Jim Carrey and Penguins. It does not get any better. Think Beethoven but with Penguins. Try to spot the difference between the CGI penguins and the real ones. Grab the popcorn. As you can surmise from the title, the film details Mr Popper who is played by Jim Carrey and his hijinks with the penguin…
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Sonnie’s Edge. Dir. Dave Wilson. Netflix. 2019
That fear of death. Do you feel it? Are you scared now? – Sonnie Content warning: sexual assault, female violence, abuse Netflix’s animated anthology, Love Death & Robots, first aired in 2019, enticing viewers through a display of episodically unique art styles and stories. Created by David Fincher and Tim Miller, the series provided a creative leeway…