Category: Human-animal relation

  • An American Werewolf in London. Dir. John Landis. Universal Pictures. 1981.

    An American Werewolf in London. Dir. John Landis. Universal Pictures. 1981.

    “The wolf’s bloodline must be severed; the last remaining werewolf must be destroyed. It’s you David.” An American tourist, traumatised and alone wakes up in a London hospital after an attack on the Yorkshire Moors. His newly cursed body drifts between human and wolf as his deceased friend haunts him in limbo, telling him he…

  • Hoodwinked!. Dir. Edwards, Cory. Kanbar Entertainment, Blue Yonder Films. 2005.

    Hoodwinked!. Dir. Edwards, Cory. Kanbar Entertainment, Blue Yonder Films. 2005.

    A retelling of the folktake Little Red Riding Hood as a police procedural, using backstories to show multiple characters’ points of view.[1] Hoodwinked! follows the classic who dunnit trope, deconstructing the fable of Little Red Riding Hood with a modern twist to narrate the mystery of the Goody bandit. It entertains basic animal stereotypes to translate the…

  • The Bad Guys. Dir. Pierre Perifel. Universal Pictures. 2022.

    The Bad Guys. Dir. Pierre Perifel. Universal Pictures. 2022.

    Being good is no fun at all — or is it? Pierre Perifel’s feature directorial debut, tells the story of an infamous criminal group comprised of anthropomorphic animals — the titular Bad Guys — and how their leader begins to realise how good it feels to be…good? Following a parallel plot to Disney’s Zootopia (2016),…

  • Under the Skin

    Under the Skin is a science fiction film directed by Jonathan Glazer and released in 2013. It tells the story of an alien disguised as a human woman (played by Scarlett Johansson) who drives around Scotland in a van and uses her sexuality to persuade them to come back to her house. She is presented…

  • Mason’s Rats. Dir. Carlos Stevens. Netflix. 2022.

    Mason’s Rats. Dir. Carlos Stevens. Netflix. 2022.

    “Like World War fucking IV.” The Love, Death and Robots’ episode, Mason’s Rats, centres around conflict regarding control and the co-existence of humans and animals, specifically rats, in a world dominated by technologically advanced humans. Significantly, the identities of the two clashing forces – the rats and Mason – are used to portray the errors of internecine fighting, with…

  • We Need To Talk About Kevin. Dir. Lynne Ramsay. 2011. Youtube.

    We Need To Talk About Kevin. Dir. Lynne Ramsay. 2011. Youtube.

    “Dearly beloved, we are gathered here to mourn Mr. Snuffles, who was snuffed out.“ Lynne Ramsay’s psychological thriller We Need to Talk About Kevin portrays the debate of nurture versus nature through the relationship of an emotionally distant mother and psychopathic son. The purposeful inclusion of a guinea pig who serves as a vessel for…

  • Me and You and Everyone We Know. Dir. Miranda July. IFC Films. 2005

    Me and You and Everyone We Know – fish scene Goldfish have been domesticated by humans for thousands of years, and Me and You and Everyone We Know invites an engrossing encounter with the sea animal as it appears in a plastic bag swaying on top of a fast-moving car. This clip of a fleeting…

  • Wendy and Lucy, Dir. Kelly Reichardt, Oscilloscope Pictures (2008)

    Wendy and Lucy, Dir. Kelly Reichardt, Oscilloscope Pictures (2008)

    A Photo of Lucy who stands at the front of the shot panting, and her owner Wendy who stands behind her, separated by a chain-linked fence. (1) Wendy and Lucy (2008) Whilst spending the majority of the film searching for her lost companion after getting arrested for stealing dog food she can’t afford from a…

  • Every Which Way but Loose. Dir. James Fargo. Warner Bros. 1978.

    James Fargo’s 1978 film Every Which Way but Loose follows Clint Eastwood’s character Philo Beddo and his orangutan companion Clyde in their search for love. The audience’s expectations of human-animal relationships depicting docile animals who are human playthings are immediately subverted by Philo’s interactions with Clyde, the orangutan.  Clyde throughout the film is given a freedom not…

  • Epic. Dir. Chris Wedge. 20th Century Fox. 2013

    Epic. Dir. Chris Wedge. 20th Century Fox. 2013

    The mouse encounter, experienced by characters MK and Nod in the animated film Epic, displays an inversion of the relationship between human and animal. The stereotypes that form this interconnection are depicted unusually. For example typically, and importantly not in this scene, mice are considered harmless. Inversion is done via the representation of the mouse,…