ZooScope

Category: Article Type: Full

  • Blue Velvet. Dir. David Lynch. De Laurentiis Entertainment Group. 1986

    Lynch has made a career out of the surreal, exploring the dark and often animalistic nature of human existence. His 1986 neo-noir mystery/psychological horror Blue Velvet centres around college student Jeffrey Beaumont (Kyle MacLachlan), who after returning home after his father suffers a stroke, discovers a rotting human ear that leads him on an investigation…

  • Ernest and Celestine. Dir. Benjamin Renner. StudioCanal. 2012

    Ernest and Celestine[2] (2012) is a French animated film that presents the unorthodox relationship between a bear and a mouse. Introduced as a struggling musician, Ernest is starving and on the hunt for food; Celestine is on the hunt for teeth when they form an unlikely pairing to help one another. Due to societal constraints and animal…

  • A Dog’s Journey. Dir. Gail Mancuso. Universal Pictures. 2019.

    They say that dogs are man’s best friend, but what if that best friend who with you from birth stayed longer than a lifetime? Two years after A Dog’s Purpose (2017), we follow again the paw prints of Bailey (voiced by Josh Gad), whose purpose in life is not yet over. In this sequel, Ethan…

  • American Honey. Dir. Andrea Arnold. British Film Institute. 2016.

    Prior to American Honey, Arnold’s filmography was distinctly British, primarily focused upon the harsh reality of poverty in Britain. However, American Honey deviates from this pattern, as it follows protagonist Star (Sasha Lane) on her journey with a travelling magazine sales crew across America. Star dices with danger, leaping headfirst into risky situations, whether it…

  • The Secret of NIMH. Dir. Don Bluth. MGM/UA Entertainment Company. 1982.

    “We can no longer live as rats. We know too much.” The Secret of NIMH is remembered by many as a dark, creepy, and disturbing film, with retrospectives published in recent years referring to it as leaving basically every kid who sees it with a lingering dread. Don Bluth’s directorial debut after leaving the Walt…

  • Waltz with Bashir. Dir. Ari Folman, Sony Pictures Classics. 2008.

    Anonymous soldier: What to do? What to do? Why don’t you tell us what to do? Ari Folman: Shoot. Anonymous soldier: On who? Ari Folman: How should I know on who? Just shoot. Anonymous soldier: Isn’t it better to pray? Ari Folman: Pray and shoot. [1] In 2008 a new style of documentary filmmaking was…

  • Mon Oncle . Dir. Jacques Tati. Gaumont (France), Continental Distributing (USA). 1958.

    The release of Mon Oncle (Gaumont, France) in 1958 saw the return of Monsieur Hulot to cinema screens, following the successful Les Vacances de Monsieur Hulot five years previously. The first of Tati’s films to be released in colour, the film follows the character of Hulot (Jacques Tati), an awkward but incredibly endearing man, and…

  • Monty Python and the Holy Grail. Dir. Terry Gilliam, Terry Jones. EMI Films. 1975.

    In the opening scene of Monty Python and the Holy Grail [1], a grassy hill is shown with the sound of horse’s hooves—only for a skipping King Arthur, and coconut-clomping servant to appear, sans horse. This sets the scene for the finest ever cinematic use of imaginary horses.

  • White God. Dir. Kornél Mundruczó. InterCom Zrt. 2014.

    White God (dir. Kornél Mundruczó, 2014) depicts the story of Hagen [Bodie and Luke], a mixed-breed dog, and his relationship with Lili [Zsófia Psotta], a young girl who is sent to live with her emotionally distant father [Sándor Zsótér].  Unwilling to pay the newly implemented ‘mongrel fee’ imposed by the Hungarian government in a desperate attempt…

  • Oldboy. Dir. Park Chan-wook. Show East & Tartan Films. 2003.

    Park Chan-wook’s 2003 film Oldboy is at its core a thriller, a revenge story of Oh Dae-su (played by Choi Min-sik) imprisoned in a room for 15 years without any knowledge of the reasons why, and who is then suddenly released back into the world and told by his captor to try to work out…