Tag: Suspense/Thriller

  • Gone Girl. Dir. David Fincher. 20th Century Fox. 2014.

    Stereotypically, cats are represented as sly, sexy, intelligent, manipulative and mysterious creatures, and all of these characteristics are embodied in Gone Girl’s (dir. David Fincher, 2014) complex anti-heroine Amy Dunne. In order to understand Amy’s immensely complicated character, who only exists in flashbacks during the film’s opening scene, the film projects Amy’s character onto her husband Nick’s…

  • Harry Potter and the Chamber of Secrets. Dir. Chris Columbus. Warner Bros. 2002.

    Harry Potter and the Chamber of Secrets utilizes horror film narratives and their depiction of monstrous animals in order to reveal a deeper complex message regarding human-animal relationships. The franchise’s reliance on Ophidiophobia acts to highlight the negative animalisation assigned to animals such as snakes, whilst the treatment of the Basilisk by humans in the film…

  • Black Swan. Dir. Darren Aronofsky. Fox Searchlight Pictures. 2010.

    The movie Black Swan could be assigned to a psychological horror movie that was directed by Aronofsky and released in 2010. The film deals with the main protagonist Nina who is a promising ballet-dancer but at the same time very childish, shy and submissive. To be chosen for the lead role of “Swan Lake”, she…

  • Black Swan. Dir. Darren Aronofsky. Fox Searchlight Pictures. 2010.

    Black Swan – Dir. Darren Aronofsky – 2010: When you watch certain movies over and over again, they are most probably good. When you have the urge to rewatch a movie right after seeing it for the first time, it is most certainly to be a masterpiece. Such masterpiece was created by Darren Aronofsky in…

  • White Dog. Dir. Samuel Fuller. Paramount Pictures. 1982.

    Sam Fuller’s final Hollywood film, White Dog (1982), is based on Romain Gary’s 1970 ‘nonfiction’ novel of the same name and tells the story of aspiring actress Julie Sawyer (Kristy McNichol), who after accidentally hitting and injuring him with her car, adopts a seemingly lovable white German shepherd. The plot is complicated when, after two…

  • The Witch. Dir. Robert Eggers. A24. 2015.

    Robert Eggers’s 2015 independent horror film The Witch encounters human-animal relations in reference to a manmade issue – religion and the occult. I argue that such a representation of humans living alongside animals in the context of a restricted, puritanical environment of their own making exists because of how the characters decide to build their own isolation.…

  • Jurassic World. Dir. Colin Trevorrow. Universal Pictures. 2015.

    Welcome to Jurassic World – the planet’s most amazing theme park! Take a vehicle tour through Gallimimus Valley and run with the fabulous flocks, or roll around in the gyroscope to get up close to your favourite docile dinos. If you’re looking for a fright, check out the wow-tastic Mosasaurus feeding shows! And new for…

  • The Revenant . Dir. Alejandro González Iñárritu. 20th Century Fox . 2015.

    While much of The Revenant’s plot focuses on the quarrels of men and the seeking of revenge, the bear attack scene makes us forget this for a moment. González Iñárritu instead creates a scene that feels authentic using an undramatised style. In doing this he presents the bear not as a monster but as an animal defending…

  • Hannibal. Dir. Ridley Scott. MGM. 2001.

    Hannibal the Animal: An Analysis of Animal Presence in Hannibal Fig. 1. Hannibal Lecter. All pictures are taken directly from film unless otherwise stated. The sequel to The Silence of the Lambs, Ridley Scott’s Hannibal is set a decade after FBI Special Agent Clarice Starling (Julienne Moore) closed a serial-murder case with the help of incarcerated cannibal Dr. Hannibal…

  • The Grey. Dir. Joe Carnahan. Inferno. 2012.

    ‘You are going to die. That is what’s happening.’ After spending five monotonous weeks working as a hired wolf exterminator ‘doing some of that sniper shit’[i] at an oil refinery in Alaska, near suicidal John Ottoway (Liam Neeson) boards a plane bound for home, along with his fellow men ‘unfit for mankind.’[ii] When their flight clashes violently…