ZooScope

Tag: Social Realism

  • Bait. Dir. Mark Jenkin. British Film Institute. 2019.

    Bait. Dir. Mark Jenkin. British Film Institute. 2019.

    Core to Mark Jenkin’s 2019 film, Bait, is a narrative depicting the gentrification of the coastal land and community in Cornwall. Following Martin, a local fisherman, Jenkin’s film emphasises how the tourism industry alienates and disenfranchises localised heritage and livelihoods. Martin’s job is central to this. The fish and lobsters that he catches serve as…

  • An American Tail. Dir. Don Bluth. Universal Pictures.1986

    An American Tail. Dir. Don Bluth. Universal Pictures.1986

    “There are no cats in America“ Don Bluth’s An American Tail is a 2D animation family film in which the human drama of religious persecution, poverty and immigration at the end of the 19th century is narrated through the eyes of a Russian Jewish family of mice, the Mousekewitz, and particularly through Fievel, the seven-year-old…

  • Taxidermia (György Pálfi, 2006, Amor Far Filmproduktion).

    Taxidermia (György Pálfi, 2006, Amor Far Filmproduktion).

    Hungarian cinema leaves us feeling stuffed! Figure A  – Lajoska Balatony surrounded by stuffed animals. Taxidermia (György Pálfi, 2006, Amor Far Filmproduktion). Pálfi’s 2006 body horror  Taxidermia, follows the story of three generations of men in three acts; each concerning a different afflicted and animalistic perversion. It begins with Morosgoványi Vendel, a sexually perverse man…

  • God’s Own Country. Dir. Francis Lee. Picturehouse Entertainment. 2017.

    As a film which centers around a farming family, God’s Own Country is inseparable from animal life. Francis Lee sets the 2017 rural drama during the lambing season at a farm, thus crafting a display of the distress caused by animal breeding and the inevitable horror of animal death. Customary to the Social Realist tradition,…

  • The Deer Hunter. Dir. Michael Cimino. EMI. 1978.

    Michael Cimino’s The Deer Hunter explores the impact of the Vietnam War on Americans, depicting protagonist Michael’s transformation from notoriously adept hunter and Russian-roulette crazed killer to sparing a deer’s life, delicately challenging the culturally normalised human-animal hierarchy. Specifically through mirroring shots of when he is moments away from firing at the deer, one prior…

  • Come and See. Dir. Elem Klimov. Belarusfilm.1985.

    Life Elem Klimov’s 1985 pernicious masterpiece Come and See leaves viewers in a state of abject horror. The film depicts the atrocities commited by the Nazi regime in Byelorussia during the Second World War, following Florya on his path from innocence to experience. The cow is introduced to us halfway through the narrative working as…

  • Annie. Dir. John Huston. Columbia Pictures. 1982.

    John Huston’s musical comedy-drama Annie follows the life of an orphan and her trusty adopted dog Sandy. The film repeatedly draws parallels between orphaned children with caged animals, inciting audiences to acknowledge the ways in which the children are treated alike abandoned animals. Huston’s shot of the bustling environment surrounding the unconcerned caged chickens works…

  • A Street Cat Named Bob. Dir. Roger Spottiswoode. Sony Pictures Releasing. 2016.

    [1]A Street Cat Named Bob is a 2016 biographical drama directed by Roger Spottiswoode. The film is based on an memoir of the same name, which narrates the true story of James Bowen, a British man who struggled with homelessness and heroin addiction, who attributes his recovery to a stray cat he named Bob. According…

  • Ernest and Celestine. Dir. Benjamin Renner. StudioCanal. 2012

    Ernest and Celestine[2] (2012) is a French animated film that presents the unorthodox relationship between a bear and a mouse. Introduced as a struggling musician, Ernest is starving and on the hunt for food; Celestine is on the hunt for teeth when they form an unlikely pairing to help one another. Due to societal constraints and animal…

  • American Honey. Dir. Andrea Arnold. British Film Institute. 2016.

    Prior to American Honey, Arnold’s filmography was distinctly British, primarily focused upon the harsh reality of poverty in Britain. However, American Honey deviates from this pattern, as it follows protagonist Star (Sasha Lane) on her journey with a travelling magazine sales crew across America. Star dices with danger, leaping headfirst into risky situations, whether it…