ZooScope

Tag: Leopard(s)

  • 2001: A Space Odyssey. Dir. Stanley Kubrick. Metro-Goldwyn Mayer. 1968.

    As with the majority of Stanley Kubrick’s filmography (we’ll mutually agree to exclude Fear and Desire from this conversation), 2001: A Space Odyssey has been subjected to extensive film analysis and criticism. This article will explore the implications of the film’s perpetuation of sociologically-constructed human-animal boundaries in order to articulate the commonality of violence across…

  • White Dog. Dir. Samuel Fuller. Paramount Pictures. 1982.

    Sam Fuller’s final Hollywood film, White Dog (1982), is based on Romain Gary’s 1970 ‘nonfiction’ novel of the same name and tells the story of aspiring actress Julie Sawyer (Kristy McNichol), who after accidentally hitting and injuring him with her car, adopts a seemingly lovable white German shepherd. The plot is complicated when, after two…

  • Zootopia. Dir. Byron Howard and Rich Moore. Walt Disney Studios Motion Pictures. 2016.

    Dreams can be powerful things; and to Judy Hopps, no dream is greater than becoming Zootopia’s first rabbit police officer. After years of chasing her goal however, Judy discovers that maybe her dream isn’t all it’s cracked up to be. Finding herself in a world dominated by bigger, stronger animals; Judy faces discrimination as she…

  • Zootopia. Dir. Byron Howard and Rich Moore. Walt Disney Studios Motion Pictures. 2016.

    Zootopia [1] presents a story about the first rabbit police officer teaming up with a fox confidence trickster to stop their city descending into anarchy. The film is a modern take on a classic animal fable, using Aesopian tropes of animals representing certain personalities alongside a technology rich, modern setting.

  • Bringing Up Baby . Dir. Howard Hawks. RKO Radio Pictures. 1938.

    Howard Hawks created a mass of parallels between the female and the leopard Baby in Bringing Up Baby. He displays a classical Hollywood screwball gender notion – women are wild while men are sensible. It is obvious that the female protagonist Susan has a closer relationship with the wild animals than everyone else in the film.…

  • Bringing Up Baby. Dir. Howard Hawks. RKO. 1938.

    In this article, I will analyse the scene in which David first encounters the dog, George, and Susan’s aunt, Mrs Random, while caught wearing Susan’s dressing gown. I will argue that here a direct comparison can be made between Susan and George. George is used to emphasise that rather than sharing characteristics with a wild…

  • Bringing up Baby. Dir. Howard Hawks. RKO Radio Pictures. 1938.

    Bringing up Baby is a film which explores the relationship between humans and animals through the use of doubling. This is particularly evident in the scene where Susan lets a wild leopard escape from a circus and culminates in the scene where the leopard is wrangled into a jail cell by David. The use of doubling…

  • Mighty Joe Young. Dir. Ron Underwood. Buena Vista Pictures. 1998.

    Film provides a platform for racial stereotypes to indoctrinate its viewers and relay social prejudices. Lester and Ross argue that ‘the predominant juxtaposition of images of blacks and social problems- welfare, crime, poverty, drugs, violence…implicitly helps to activate long-existing stereotypes of blacks as sambo and savage’ [1]. The black African poachers in Mighty Joe Young…

  • Tarzan. Dir. Kevin Lima, Chris Buck. Disney. 1999.

    Tarzan-Two Worlds Tarzan is best characterised by the title of the film’s opening song Two Worlds, sang by Phil Collins. This is the story of flora and fauna, represented by gorillas, colliding with mankind in Disney’s 1999 classic. The film sees an orphaned human baby in Africa adopted into an ape family by a Gorilla mother. The…

  • Bringing Up Baby . Dir. Howard Hawks. RKO. 1938.

    In the romantic comedy Bringing Up Baby (1938) Hawks explores the association between animalism (behaviours or feelings associated with animals) and chaos. The comedy emerges out of the interactions between the unlikely pair: Susan (Catherine Hepburn) and David (Cary Grant). This is because Susan is an eccentric, chaotic and a law evading romantic and David is a…