Tag: HAR: Language/Communication
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E.T. the Extra-Terrestrial. Dir. Steven Spielberg. Universal Pictures. 1982
Steven Spielberg’s E.T. the Extra-Terrestrial (1982), despite its tearful conclusion in which 10-year-old Elliott is parted from his extra-terrestrial friend aptly named ‘E.T.’, is revered for its thematic sentimentality (popularised by its iconic John Williams score) and stood him in contrast to his contemporary auteurs such as Martin Scorsese and Francis Ford Coppola, who adopted…
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Pocahontas II: Journey to a New World. Dir. Tom Ellery and Bradley Raymond. Walt Disney Home Video. 1998.
In Pocahontas II: Journey to a New World, Pocahontas voyages to England with John Rolfe, an English diplomat. She must stop the villainous Governor Ratcliffe’s manipulation of King James and prevent the King from declaring war on the Native Americans. As expected in a Disney film, she just happens to fall in love with Rolfe…
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Surf’s Up. Dir. Ash Brannon & Chris Buck. Columbia Pictures. 2007.
Released in 2007, during the surge of penguin movies, Surf’s Up is a unique animated mockumentary exploring how penguins are the ‘real’ inventors of the worldwide sport, surfing. A documentary crew (ironically, Brannon and Buck cast themselves) follow the journey of Cody Maverick (Shia LaBeouf), a Rockhopper penguin from Antarctica who dreams of becoming a…
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Pocahontas. Dir. Eric Goldberg and Mike Gabriel. The Walt Disney Company. 1995.
In Pocahontas, the animosity between Meeko, the Native American raccoon and Percy, the English pug is a microcosm of the conflict between the Native and English humans. The animals are comic foils, providing family-friendly slapstick relief from human violence. However, the inclusion of animals adds meaning beyond just comedic value. The animals and humans both…
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The Lion King. Dir. Jon Favreau. Walt Disney Pictures and Fairview Entertainment. 2019.
‘There’s a stampede, in the pride lands’, Zazu’s memorable line is word-for-word identical to the 1994 animation. But where the animation focused on a simple plot, Jon Favreau’s recreation with CGI animals creates depth by building more of the animals’ characterisation into the story, I will question how this creates problems with humanising certain animals…
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How to Train Your Dragon. Dir. Dean DeBlois, Chris Sanders. Paramount Pictures. 2010.
Despite the movie’s title, How to Train Your Dragon does not present ‘trained’ dragons. The title insinuates the shift from foe to friend is a means of ‘training’ a dragon, when this is actually achieved through the development of a mutual understanding of the other. The film’s false equation of this mutual agreement reduces the…
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Guardians of the Galaxy. Dir. James Gunn. Marvel Studios. 2014.
Set in a parallel science- fiction universe, Guardians of the Galaxy[1] parodies Marvel’s usual ‘superhero’ film, by casting five criminal anti- heroes as the protagonists. The film follows five intergalactic – outlaw – anti- heroes as they are brought together by being arrested, over a bounty hunt on a mysterious orb. Previously individuals just working…