Tag: HAR: Language/Communication
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Watchers. Dir. Jon Hess. Universal Pictures, Alliance Releasing. 1988.
How are human-animal relationships redefined when the lines dividing their respective humanity and animality are warped for scientific advancements? Director Jon Hess explores these altered dynamics within the 1988 science fiction horror film Watchers. When a devastating fire rips through the Banodyne Research Laboratories, the ongoing chaos is manipulated into an escape by two genetically-engineered…
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Storm Boy. Dir. Shawn Seet. Sony Pictures. 2019.
Introduction Storm Boy (2019) is an Australian film adapted from the 1964 children’s novel of the same name by Colin Thiele, explores the extraordinary bond between a young boy named Michael and his relationship with pelicans. The story unfolds with an adult Michael being troubled by the impending business deal in the company he founded.…
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The Hunger Games. Dir. by Gary Ross (Lionsgate Films, 2012)
The Hunger Games (2012), directed by Gary Ross, sets up the mockingjay as a unifying symbol of rebellion and resistance against the dystopian ruling of the Capitol. Ross uses this sequence to establish the mockingjay as a balancing force between interpersonal relations and political solidarity. The human-animal connection between the protagonist, Katniss, and the mockingjay…
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The Secret Garden. Dir. Agnieszka Holland. Warner Bros. California. 1993
The Secret Garden creates a form of social equality between its animal and human characters. Social equality is defined as someone not being discriminated against based on their class, gender, race etc and in this case species. The film is interesting because of the way the outdoors are depicted as a space where the differences…
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The Little Prince. Dir. Mark Osborne. Paramount Pictures. 2015
“One sees clearly only with the heart. What is essential is invisible to the eye.” In The Little Prince the depiction of foxes defies conventional animality as they generally symbolise perfidy. But The Fox here is characterised as holding pragmatic intellectual power. He is a teacher but does not hold any other forms of power,…
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Me and You and Everyone We Know. Dir. Miranda July. IFC Films. 2005
Me and You and Everyone We Know – fish scene Goldfish have been domesticated by humans for thousands of years, and Me and You and Everyone We Know invites an engrossing encounter with the sea animal as it appears in a plastic bag swaying on top of a fast-moving car. This clip of a fleeting…
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Every Which Way but Loose. Dir. James Fargo. Warner Bros. 1978.
James Fargo’s 1978 film Every Which Way but Loose follows Clint Eastwood’s character Philo Beddo and his orangutan companion Clyde in their search for love. The audience’s expectations of human-animal relationships depicting docile animals who are human playthings are immediately subverted by Philo’s interactions with Clyde, the orangutan. Clyde throughout the film is given a freedom not…
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Beverly Hills Chihuahua. Dir. Raja Gosnell. Walt Disney Pictures. 2008.
In Beverly Hills Chihuahua, the superiority and entitlement of animals are used as tropes to represent Chloe the chihuahua and her furry friends’ authority over Rachel, Chloe’s dogsitter. This is captured within the pool party scene through the decision to construct dominant representations of the dogs and represent Rachel, the human, as an inferior servant…