Tag: HAR: Interest/Observation

  • Treasure Planet. Dir. Ron Clements. Disney. 2002.

    In the animated film Treasure Planet anthropomorphism is used as a narrative tool within a wider concept of Hyperrealism which is ‘Disney Studio’s application of realist conventions of narrative, logical causality and character motivations – breaking with the largely non-realist and anarchic dynamics of the cartoon form.’ Anthropomorphism is used throughout this film as many of the…

  • Flipper. Dir. James B. Clark. Ivan Tors Productions. 1963.

    Flipper is a family film from the 1960s that centres on one fateful summer when 12 year old Sandy has an extraordinary experience with a dolphin. Sandy enjoys helping his father with the family fishing business but unfortunately a disease called the red plague is killing off all of the fish; when their town is hit…

  • Bringing up Baby. Dir. Howard Hawks. RKO Radio Pictures. 1938.

    Bringing up Baby is a film which explores the relationship between humans and animals through the use of doubling. This is particularly evident in the scene where Susan lets a wild leopard escape from a circus and culminates in the scene where the leopard is wrangled into a jail cell by David. The use of doubling…

  • The Lobster. Dir. Yorgos Lanthimos. Picturehouse Entertainment. 2015.

    The Lobster is a modern parable in which societal norms are completely called into question by absurdity of form. In the not too distant, or not too past, world of The Lobster, single people are sent to a hotel in which they must find a mate in 45 days or otherwise be turned into an animal of…

  • Harry Potter and the Prisoner of Azkaban. Dir. Alfonso Cuarón. Warner Bros. 2004.

    Harry Potter and the Prisoner of Azkaban: Official Trailer [i] In 2004, Warner Bros. unveiled the third Harry Potter instalment, blessing the film franchise with the innovative, ingenious, and cinematically distinctive director Alfonso Cuarón. Back at Hogwarts for their third year, Harry Potter (Daniel Radcliffe) and his friends Hermione Granger (Emma Watson) and Ron Weasley (Rupert…

  • Snatch. Dir. Guy Ritchie. Columbia Pictures. 2000.

    What do you get when you cross an unlicensed boxing match, a gang of angry gypsies and an 86-carat diamond that everybody wants to get their hands on? Guy Ritchie’s Snatch.[i] The film revolves around the adventures of: Turkish (Jason Statham)and his sidekick Tommy (Stephen Graham): two boxing promoters tasked with finding a boxer for the fight, whilst trying…

  • We Bought a Zoo. Dir. Cameron Crowe. 20th Century Fox. 2011.

    We Bought a Zoo is a film loosely based on a memoir of the same name by Benjamin Mee which describes his purchase and restoration of the failing Dartmoor Wildlife Park – subsequently renamed Dartmoor Zoological Park – in preparation for its reopening. In the film, the death of Benjamin’s wife has led to a…

  • Happy Feet. Dir. George Miller. Warner Bros. Pictures. 2006.

    The Warner Bros. Pictures (2006) film Happy Feet tells the heart-warming tale of Mumble (Elijah Wood), a dancing emperor penguin who is a little different from the rest of his kind.[1] Mumble becomes an outcast in his own community because unlike every emperor penguin before him he is unable to sing. His talents lie elsewhere in the form…

  • The Life Aquatic With Steve Zissou. Dir. Wes Anderson. Touchstone Pictures. 2004.

    Animal Misunderstanding and Mystery in Wes Anderson’s The Life Aquatic With Steve Zissou In The Life Aquatic With Steve Zissou (dir. Wes Anderson, 2004) Zissou, the famous oceanographer, tackles familial issues while on board his ship The Belfonte. When Ned Plimpton, a man claiming to be his son, comes on board, Zissou’s marriage begins to…

  • Werckmeister Harmonies. Dir. Béla Tarr. Artificial Eye. 2000.

    Béla Tarr’s Werckmeister Harmonies (2000), based on László Krasznahorkai’s 1989 novel The Melancholy of Resistance, sees the arrival of an enormous taxidermy whale in a small Hungarian town. Local postman János, played by the wide-eyed Lars Rudolph, becomes fascinated by the displaced beast, seeing the divine beauty and awe of God’s creation in its rotting…