Tag: HAR: Imagination/Representation
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An American Tail. Dir. Don Bluth. Universal Pictures.1986
“There are no cats in America“ Don Bluth’s An American Tail is a 2D animation family film in which the human drama of religious persecution, poverty and immigration at the end of the 19th century is narrated through the eyes of a Russian Jewish family of mice, the Mousekewitz, and particularly through Fievel, the seven-year-old…
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Sing. Dir. Garth Jennings. Illumination Entertainment. 2016
Illumination Entertainment’s Sing is a computer animated film that follows a group of anthropomorphic animals taking part in a singing competition that interferes in the contestants’ privates lives, representing society and human struggles through them. In this scene, the money heist, gorillas perform mundane human tasks like singing and driving. Johnny is a large and…
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Spirited Away. Dir Hayao Miyazaki. Toho Company Ltd. 2001.
Miyazaki’s 2001 Spirited Away, blurs the binary of human, animal, mythology, and spirit. Each character has its own version of this intersectionality, creating different presentations of ontology that in turn create varying perceptions. The film encourages us to reflect on how our own perceptions of fear in cinematic animal species are moulded through the presentation…
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The Handmaiden. Dir. Park Chanwook. 2016. CJ Entertainment. South Korea.
Content Warning: This post contains images of a sexual nature including artistic depictions of bestiality.
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Ginger Snaps. Dir. John Fawcett. Motion International.2000
“B, I Just Got The Curse” In his direction of the initial werewolf attack in Ginger Snaps (2000), John Fawcett repeatedly frames close shots of the creature’s bloodied snout and teeth as it savages the central character, Ginger. These close shots lead to what I argue is a reinterpretation of the lycanthrope, wherein the werewolf…
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Eternal Sunshine of the Spotless Mind. Dir. Michel Gondry. Focus Features. 2004.
Figure 1 Memories are the foundations for the complexity of individuals. We are created by the experiences we face, and to delve into the past is to delve into the system of our personal construction. According to Bowman (2004, p. 85), themes of memory in film generate emotion because, instinctively, to lose our memory equates…
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Lamb. Dir. Valdimar Jóhannsson. Sena. 2021
Like a lamb to the slaughter, the slow-burn, absurd surrealness of A24’s Lamb (2021) leads the audience to an end that blends both chilling twists and heartbreaking loss as the complications that are inevitable with blurring binaries between human-animal relations come to fruition. In a playful, sardonic reconfiguration of oppositions between captivity and freedom, wildness…
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Corpse Bride. Tim Burton. Warner Brothers. 2005.
‘In the act of othering, what is projected onto the other is all that must be refused in constructing the identity of the self’[1]. Consequently, establishing a human/animal binary often leads to a hierarchical relationship, highlighting the difference between human and non-human ‘other’. Such binary differences are reminiscent of common tropes in gothic literature, with…