Tag: HAR: Imagination/Representation

  • Wir sind im Zoo. Dir. Bruno Kleberg. Progress Film-Verleih. 1953.

    We are at the zoo is an 1953 Film about a class of pioneers visiting the Leipziger Zoo in the German Democratic Republic. On their visit the class is being accompanied by an Off-Speaker, who comments on the action and introduces the animals while the pioneers walk through the park. In most cases this is…

  • Monsters, Inc. Dir. Pete Docter, David Silverman, Lee Unkrich. Buena Vista Pictures. 2001.

    Lovable monsters like Sully and Mike of Pixar’s Monsters, Inc (Docter, Silverman and Unkrich, 2001) manage to make the monster world not so scary. Despite their initial employment as professional children ‘scarers’ for the Monsters Inc. corporation that uses scream- energy to power Monstropolis (the film’s monster-inhabited society), the pair prove themselves to be more…

  • Kes. Dir. Ken Loach. Tony Garnett. 1969.

    Ken Loach (dir.) “Kes” 1969 (Fig 1: Promotional Poster for the film) Since the dawn of man Birds, or more precisely, the notion of flight, has fascinated humankind. Proud and mighty birds of prey have found their way onto flags and military insignia as symbols of strength, independence and freedom. As such, the idea of…

  • Nausicaä of the Valley of the Wind. Dir. Hayao Miyazaki. Studio Ghibli. 1984.

    Hayao Miyazaki’s 1984 film ‘Nausicaä of the Valley of the Wind’ follows the adventures of a young princess named Nausicaä who is part of one of the last tribes of humans remaining on Earth. A toxic forest has taken over most of the world as a result of mankind’s pollution; Nausicaä seeks to save the…

  • Treasure Planet. Dir. Ron Clements. Disney. 2002.

    In the animated film Treasure Planet anthropomorphism is used as a narrative tool within a wider concept of Hyperrealism which is ‘Disney Studio’s application of realist conventions of narrative, logical causality and character motivations – breaking with the largely non-realist and anarchic dynamics of the cartoon form.’ Anthropomorphism is used throughout this film as many of the…

  • Avatar. Dir. James Cameron. 20th Century Fox. 2009.

    Set in the year 2154, Avatar (Dir. James Cameron, 2009) follows Jake Sully (Sam Worthington), a paraplegic ex-marine who is given the opportunity to take part in a program on the distant moon Pandora. Pandora is inhabited by a wealth of creatures and biodiversity, as well as the desirable mineral ‘unobtanium’ which the humans are attempting to…

  • Hanna. Dir. Joe Wright. Focus Features. 2011.

    Hanna (Joe Wright, 2011) combines quick-fire action scenes with intricately beautiful cinematography to create a dark, modern fairytale full of suspense and wicked delight. Raised in the snow-covered forests of Finland, Hanna has traverses the wilderness, speaks a myriad of different languages, hones her encyclopaedic knowledge, and has a number of aliases hidden up her…

  • Wasp. Dir. Andrea Arnold. None. 2003.

    Andrea Arnold’s realism focuses itself around the lower rungs of the British socioeconomic hierarchy, where the housing estates are run down, children roam the streets instead of the school ground, and poverty seeps into the lives of the protagonists we follow. This is exactly the case in her 2003 short film Wasp, which follows young…

  • Life Doesn’t Frighten Me. Dir. Stephen Dunn. LDFM Films. 2012.

    Stephen Dunn’s 2012 Canadian short film, Life Doesn’t Frighten Me, presents viewers with a campy peek into the life of thirteen-year old Esther as she embarks upon her journey into womanhood. Taking place over the course of her thirteenth birthday, the film primarily revolves around Esther’s apprehensive feelings towards her imperfect appearance and her newly…

  • The Lion King. Dir. Roger Allens and Rob Minkoff. Buena Vista Pictures. 1994.

    The Lion King[i] tells the story of Simba, a lion cub born into the monarchy and heir to his father Mufasa, ruler of all the animals in the Pride Lands. From learning how to pounce, to going on adventures with his best friend Nala, Simba has the perfect life, up until Mufasa is killed by Scar,…