Tag: HAR: Hunting/Trapping

  • Scooby-Doo on Zombie Island. Dir. Jim Stenstrum. Hanna-Barbera Cartoons. 1998.

    Scooby-Doo on Zombie Island[1] is subversive both in terms of subverting what you’d expect from a typical Scooby outing (substituting criminals in masks with genuine monsters) and subverting ideas of what it truly means to be villainous. Immortal werecats Simone and Lena (fig. 1) sacrificed their souls to their cat god to exact revenge against…

  • The Simpsons Movie. Dir. David Silverman. 20th Century Fox. 2007.

    Why does everything I whip leave me? – Homer Simpson, The Simpsons Movie The Simpsons Movie is characterised by imprisonment vs agency – the central plot revolves around the incarceration of the town of Springfield using a giant glass dome as a punishment for environmental damage – therefore it seems only right to extend the…

  • The Good Dinosaur. Dir. Peter Sohn. Disney Pixar. 2015.

    Ever wondered what life would be like if dinosaurs never became extinct? Well, you’ll never have to wonder again thanks to The Good Dinosaur. In this alternate world human-animal relationships are reversed as the dinosaurs are civilised and positioned above humans hierarchically. In doing so, this film evokes questions surrounding the ethics of human practices…

  • The Platform (El Hoyo). Dir. Galder Gaztelu-Urrutia. Festival Films & Netflix. 2019

    Of course, it is odd to gaze from social isolation into absolute claustrophobia while still in a lockdown: Galder Gaztelu-Urrutia’s twisted dystopian Sci-Fi thriller El Hoyo (in international release The Platform) is about being trapped in a large concrete construction that resembles a maintenance hole.  It is also about social hierarchies constructed as a result:…

  • The Platform (El Hoyo). Dir. Galder Gaztelu-Urrutia. Festival Films & Netflix. 2019

    In the twisted dystopian science fiction movie “The Platform,” inmates of a vertically piled up prison, with two inmates on each floor, fight for bare survival due to the lack of food for the entire population. An extensive buffet of the finest hearty and sweet food travels, from top to bottom through the middle of…

  • The Call Of The Wild. Dir. Chris Sanders. 20th Century Studios. 2020.

    The Call of the Wild is a 2020 American adventure film directed by Chris Sanders and adapted from Jack London’s 1903 novel of the same name and tells the story of a domestic dog finding his inner wild wolf. Set during the late 19th century in Canada’s Yukon centralizing the Klondike Gold Rush, the film…

  • Crocodile Dundee. Dir. Peter Faiman. Paramount Pictures. 1986

    “A city girl like you? You wouldn’t last five minutes, love. This is a man’s country out here.” – Mick Dundee (Paul Hogan) Crocodile Dundee is a 1986 action/comedy film, following the character of Mick Dundee (Paul Hogan), nicknamed “Crocodile” after being mauled by a crocodile, an Australian bushman, as he meets his eventual love…

  • Tusk. Dir. Kevin Smith. Smodcast Pictures. 2014

    The film opens with Wallace and Teddy who host a popular podcast where they discuss viral videos and interview internet celebrities. Wallace travels to Canada to interview someone, however upon arrival it is clear they have committed suicide. Annoyed he flew to Canada for nothing, he stumbles across a letter in a pub’s bathroom stall…

  • How to Train Your Dragon. Dir. Dean DeBlois, Chris Sanders. Paramount Pictures. 2010.

    Despite the movie’s title, How to Train Your Dragon does not present ‘trained’ dragons. The title insinuates the shift from foe to friend is a means of ‘training’ a dragon, when this is actually achieved through the development of a mutual understanding of the other. The film’s false equation of this mutual agreement reduces the…

  • The Shallows. Dir. Jaume Collet-Serra. Columbia Pictures. 2016.

    The Shallows uses the tale of Nancy (Blake Lively), a surfer alone and vulnerable in the picturesque coasts of Mexico only to be aggressively hunted by a great white shark with a taste for skinny blonde models (shock). Since Jaws, sharks have become a symbol of fear – an immediate indication of danger within the cinematic…