Tag: Giraffe

Pirates! In an Adventure with Scientists!. Dir. By. Peter Lord. Columbia Pictures. 2012.

Aardman never shy away from the ludicrous. So when a crew of incompetent pirates endeavour for protagonist The Pirate Captain to win the Pirate of the Year Award by relying on the commercial value of his prized dodo companion Polly (who should have been extinct for 150 years and is believed to be a parrot)…

20th January 2022
The Lion King. Dir. Jon Favreau. Walt Disney Pictures and Fairview entertainment. 2019.

Jon Favreau’s 2019 recreation of The Lion King is something David Attenborough would be proud of, or is it? Disney seems to have a habit of reproducing the same stories, and after 25 years that’s just what they did with their animated animal take on Hamlet. Favreau’s CGI Lion King tells the story of a…

14th January 2022
Twelve Monkeys. Dir. Terry Gilliam. Universal Pictures . 1996.

Twelve Monkeys begins: human beings whoop and rattle in cages, buried deep underground. Wild animals roam free in the streets; in the churches, on top of this underground prison. But who dug the hole? The animals or the human… …beings? The deadly virus which forced the survivors to flee underground came from the animals. But the…

14th January 2019
Zootopia. Dir. Byron Howard and Rich Moore. Walt Disney Studios Motion Pictures. 2016.

Dreams can be powerful things; and to Judy Hopps, no dream is greater than becoming Zootopia’s first rabbit police officer. After years of chasing her goal however, Judy discovers that maybe her dream isn’t all it’s cracked up to be. Finding herself in a world dominated by bigger, stronger animals; Judy faces discrimination as she…

23rd January 2017
Zootopia. Dir. Byron Howard and Rich Moore. Walt Disney Studios Motion Pictures. 2016.

Zootopia [1] presents a story about the first rabbit police officer teaming up with a fox confidence trickster to stop their city descending into anarchy. The film is a modern take on a classic animal fable, using Aesopian tropes of animals representing certain personalities alongside a technology rich, modern setting.

23rd January 2017
The Wild. Dir. Steve ‘Spaz’ Williams. Buena Vista Pictures. 2006.

The Wild YouTube video of the film’s theatrical trailer: <https://www.youtube.com/watch?v=zE3mEgqqlCM> ‘Start spreading the newspaper.’ Disney’s 2006 animation, The Wild, by first-time director and ex-special effects artist Steve ‘Spaz’ Williams, is a family comedy film centred on a group of zoo animals: Samson the lion, Bridget the giraffe, Nigel the koala and Larry the anaconda. Along with their…

22nd January 2017
The Wild. Dir. Steve ‘Spaz’ Williams. Buena Vista Pictures. 2006.

ZooScope ZOOM: The Wild Above: ‘This isn’t Happiness’ – 07/04/2014 front cover illustration of The New Yorker by Peter DeSeve shows a vegetarian lion eating salad whilst looking distractedly at a zebra. Living in a world of cultural ethics clearly has its difficulties for a wild predator. Image from https://uk.pinterest.com/kmeyer/peter-deseve/ ‘The core paradigm of many narratives engaging…

22nd January 2017
Aladdin. Dir. Ron Clements and John Musker. Disney Studios. 1992.

Ron Clements’ and John Muskers’, Aladdin (1992) [1] follows the life of a poor street dweller and his sidekick monkey, Abu in the fictional city of Agrabah. After being coerced into entering the subterranean ‘cave of wonders’ by the villain Jafar and his accomplice parrot, Iago, Aladdin retrieves a magic lamp containing a genie. With the…

16th January 2017
Project X. Dir. Jonathan Kaplan . Twentieth Century Fox. 1987.

Project X explores the journey of a chimpanzee named Virgil, taking him from the safety of his home with psychologist Teri Macdonald to an Air Force base where he participates in a secret experiment named Project X that trains chimps as pilots. We learn that Teri has taught Virgil to communicate with humans via American Sign…

12th January 2017
Monsters, Inc. Dir. Pete Docter, David Silverman, Lee Unkrich. Buena Vista Pictures. 2001.

Lovable monsters like Sully and Mike of Pixar’s Monsters, Inc (Docter, Silverman and Unkrich, 2001) manage to make the monster world not so scary. Despite their initial employment as professional children ‘scarers’ for the Monsters Inc. corporation that uses scream- energy to power Monstropolis (the film’s monster-inhabited society), the pair prove themselves to be more…

11th March 2016