ZooScope

Tag: Fantasy

  • Ernest and Celestine. Dir. Benjamin Renner. StudioCanal. 2012.

    The animated film Ernest and Celestine[1] (2012) uses animals to offer a socio-political examination of French society. A predator-prey construct is conveyed through the division of social classes in the species contrast between a mouse- Celestine, and a bear- Ernest. By depicting stereotypes of animality and inverting the norms to show an unorthodox friendship, Renner exposes human class limitations.…

  • The Lord of the Rings: Return of the King. Dir. Peter Jackson. New Line Cinema. 2003.

    In this scene, we see a last gasp attack from the human riders against a far larger force of evil orcs. The horses the men ride reflect the heroic values of their riders whilst also encompassing the bestial nature of conflict. Jackson uses a wide shot, with the golden sun shining on the riders, to…

  • Howl’s Moving Castle. Dir. Hayao Miyazaki. Studio Ghibli. 2004.

    There is a surprising lack of non-human animal representation in Studio Ghibli’s 2004 film Howl’s Moving Castle, despite an overarching theme which frequently pits an idyllic pastoral version of Japan against a threateningly industrial one. The major depiction of human-animal relations is that of secondary protagonist Howl as he gradually transforms into a bird-like creature…

  • Wall – E. Dir. Anrew Stanton. Pixar. 2008.

    In its depiction of a film-world defined by its lack of natural life, Pixar’s WALL-E (2008) features only one animal: WALL-E’s charismatic companion, Hal the cockroach.

  • White God. Dir. Kornél Mundruczó. InterCom Zrt. 2014.

    White God (dir. Kornél Mundruczó, 2014) depicts the story of Hagen [Bodie and Luke], a mixed-breed dog, and his relationship with Lili [Zsófia Psotta], a young girl who is sent to live with her emotionally distant father [Sándor Zsótér].  Unwilling to pay the newly implemented ‘mongrel fee’ imposed by the Hungarian government in a desperate attempt…

  • Mary and the Witch’s Flower. Dir. Hiromasa Yonebayashi. Toho. 2017.

    Mary and the Witch’s Flower is a 2017 animated film, directed by Hiromasa Yonebayashi and produced by Studio Ponoc (founded by the former lead film producer at Studio Ghibli). The film tells the story of Mary, a little girl, who moves in with her Great Aunt Charlotte whilst her parents are abroad. When Mary is…

  • D-War : Dragon Wars. Dir. Hyung-rae Shim. Freestyle Releasing, Showbox. 2007.

    The movie, D-War : Dragon Wars, begins with introducing the Korean legend of the ascension of Imoogi, a gigantic pre-dragon stage serpent. Every 500 years, one good Imoogi was rewarded with a chance to become a dragon, and it had to receive the gift of the Yuh-yi-joo, a magical pearl from heaven, to become a dragon.…

  • Coco. Dir. Lee Unkrich. Walt Disney Studios Motion Pictures. 2017.

    Lee Unkrich’s Coco (2017) is built on similar foundations of recent Disney/Pixar releases alike Moana(2016) and The Good Dinosaur(2015); twelve year old Miguel’s (Anthony Gonzalez) dream of becoming a musician compromises his family’s ban on music and their hope for Miguel to continue the family business.[i]Yet what may feel like recognisable narrative territory, the enriched setting of traditional Mexico…

  • Twelve Monkeys. Dir. Terry Gilliam. Universal Pictures . 1996.

    Twelve Monkeys begins: human beings whoop and rattle in cages, buried deep underground. Wild animals roam free in the streets; in the churches, on top of this underground prison. But who dug the hole? The animals or the human… …beings? The deadly virus which forced the survivors to flee underground came from the animals. But the…

  • The Cat Returns. Dir. Hiroyuki Morita. Toho. 2002.

    The Cat Returns (2002) is a Japanese fantasy film animated by Studio Ghibli, which follows dissatisfied schoolgirl Haru Yoshioka, who after saving a cat from a road collision, discovers she has the ability to talk to cats. Upon saving the feline it is revealed that this individual is none other than Prince Lune, Heir to the…