ZooScope

Tag: Childrens

  • Ratatouille. Dir. Brad Bird. Buena Vista Pictures. 2007.

    In the Ratatouille scene where Remy and Emile enter an old woman’s house, questions of animal invasion into human spaces are raised. The woman’s reaction is to kill the trespassing rats; a reaction which, in reality, we would be unlikely to query.                                                             Fig. 1 As uncaged rats they represent pests, undesirable to find in one’s home. The…

  • The Little Mermaid. Dir. John Musker and Ron Clements. Buena Vista Pictures. 1989.

    Human ignorance towards carnivorous eating behaviours are challenged in the ‘Les Poissons’ scene of The Little Mermaid, where a flamboyant chef sings about cooking fish as he prepares them. One example is through the physical appearance of the fish. Unlike the individualised, colourful and characterised animals in the rest of the film, the fish to be…

  • The Witches. Dir. Nicolas Roeg. Warner Bros Entertainment Inc.. 1990.

    Only undeceived individuals might be able to tell a witch from an ordinary woman, for their most dangerous power is the sophisticated art of deception. “Real witches dress in ordinary clothes and look very much like ordinary women; they live in ordinary houses and they work in ordinary jobs” (Roeg 1990, minute 2:25), Helga Eveshim…

  • Fly Away Home . Dir. Carroll Ballard. Columbia Pictures, Sandollar, The Saul Zaentz Film Center. 1996.

    Fly Away Home focuses on 13-year-old Amy Alden who has just lost her mother due to a car accident. She has to move to her dad Tom, whom she hadn’t seen for years and whose passion for pottering aircrafts seems weird to her. Being alone, Amy finds a nest with 16 eggs, which have been abandoned…

  • Fly Away Home . Dir. Carroll Ballard. Columbia Pictures. 1996.

    Fly Away Home focuses on 13-year-old Amy Alden who has just lost her mother due to a car accident. She has to move to her dad Tom, whom she hadn’t seen for years and whose passion for pottering aircrafts seems weird to her. Being alone, Amy finds a nest with 16 eggs, which have been abandoned…

  • The Magic of Lassie. Dir. Don Chaffey. The International Picture Show Company. 1978.

    Content: After the death of his son and his daughter-in-law, Clovis Mitchell, a Californian wine grower, takes his grandchildren Kelly and Chris home and cares for them. When the children arrive at his house, they find a little baby dog, a border collie, and call her Lassie. Mr. Jamison, a rich man from Colorado, wants…

  • Monsters, Inc. Dir. Pete Docter, David Silverman, Lee Unkrich. Buena Vista Pictures. 2001.

    Lovable monsters like Sully and Mike of Pixar’s Monsters, Inc (Docter, Silverman and Unkrich, 2001) manage to make the monster world not so scary. Despite their initial employment as professional children ‘scarers’ for the Monsters Inc. corporation that uses scream- energy to power Monstropolis (the film’s monster-inhabited society), the pair prove themselves to be more…

  • Nausicaä of the Valley of the Wind. Dir. Hayao Miyazaki. Studio Ghibli. 1984.

    Hayao Miyazaki’s 1984 film ‘Nausicaä of the Valley of the Wind’ follows the adventures of a young princess named Nausicaä who is part of one of the last tribes of humans remaining on Earth. A toxic forest has taken over most of the world as a result of mankind’s pollution; Nausicaä seeks to save the…

  • Treasure Planet. Dir. Ron Clements. Disney. 2002.

    In the animated film Treasure Planet anthropomorphism is used as a narrative tool within a wider concept of Hyperrealism which is ‘Disney Studio’s application of realist conventions of narrative, logical causality and character motivations – breaking with the largely non-realist and anarchic dynamics of the cartoon form.’ Anthropomorphism is used throughout this film as many of the…

  • Babe. Dir. Chris Noonan. Universal Pictures. 1995.

     Babe’s belief in his capability to function within his new identity role as sheep-pig is shattered when he learns his true purpose as bacon for the farm. Deflated of self-worth and betrayed by ‘The Boss’ he descends into a torrent of psychological self-harm, unable to eat at the prospect of his failed ambitions. [1]