ZooScope

Tag: Birds

  • Kubo and the Two Strings. Dir. Travis Knight. Laika. 2016

    Kubo and the Two Strings. Dir. Travis Knight. Laika. 2016

    Figure 1: Kubo lifted in the air by wings made of origami birds. Kubo and the Two Strings follows a boy whose life is made even more extraordinary when a perilous adventure, which his mother has tried to save him from, accidentally finds him. Kubo can tell stories using the magical music of his shamisen…

  • Corpse Bride. Tim Burton. Warner Brothers. 2005.

    Corpse Bride. Tim Burton. Warner Brothers. 2005.

    ‘In the act of othering, what is projected onto the other is all that must be refused in constructing the identity of the self’[1]. Consequently, establishing a human/animal binary often leads to a hierarchical relationship, highlighting the difference between human and non-human ‘other’. Such binary differences are reminiscent of common tropes in gothic literature, with…

  • The Good Dinosaur. Dir. Peter Sohn. Disney Pixar. 2015.

    Are you terrified of big, scary dinosaurs from films such as Jurassic Park? Well, The Good Dinosaur will change that perception. In a world where dinosaurs never became extinct, a timid and friendly dinosaur named Arlo lives on a family farm. This story follows the conventional trope of a young boy who embarks on a…

  • Pirates! In an Adventure with Scientists!. Dir. By. Peter Lord. Columbia Pictures. 2012.

    Aardman never shy away from the ludicrous. So when a crew of incompetent pirates endeavour for protagonist The Pirate Captain to win the Pirate of the Year Award by relying on the commercial value of his prized dodo companion Polly (who should have been extinct for 150 years and is believed to be a parrot)…

  • Dumbo. Dir. Tim Burton. Walt Disney Studios. 2019.

    Magic. Mayhem. Friendship. Freedom. Come on down to Medici’s circus, where the newest attraction is an adorable baby elephant with ears too big to handle. Watch him soar above and follow his heart as he dreams of being reunited with his mother, so tragically torn apart! Follow him to Vandevere’s circus, where he is a…

  • The Deer Hunter. Dir. Michael Cimino. EMI. 1978.

    Michael Cimino’s The Deer Hunter explores the impact of the Vietnam War on Americans, depicting protagonist Michael’s transformation from notoriously adept hunter and Russian-roulette crazed killer to sparing a deer’s life, delicately challenging the culturally normalised human-animal hierarchy. Specifically through mirroring shots of when he is moments away from firing at the deer, one prior…

  • The Prince of Egypt. Dir. Brenda Chapman, Simon Wells, Steve Hickner. DreamWorks Pictures. 1998.

    Following the life of Moses, The Prince of Egypt tells an adaption of the story of the Book of Exodus. In the opening scene of this animated musical, the audience are introduced to Ancient Egyptian culture as a significant importance is placed on their religion through the enormous statues of their gods. These gods, specifically…

  • Storks. Dir. Doug Sweetland, Nicolas Stoller. Warner Bros.Pictures. 2016.

    Anthropomorphism and stereotypes are often utilized in children’s animation since they cater to a broad audience. The film Storks uses anthropomorphic animals in order to create vivid and lively characters with human characteristics whom the audience can relate to. Moreover, integrating well-known stereotypes in the storyline can evoke empathy or disdain for real animals, such…

  • The Craft. Dir. Andrew Fleming. Columbia Pictures. 1996.

    The Craft is a 1996 supernatural teen horror film, in which animals feature heavily as a representation of the otherness felt by four teenage girls who possess extraordinary powers. The film presents witchcraft and magic as something that is inextricable from nature and animals, in line with Neo-Pagan traditions. This scene is particularly striking, as…

  • The Lighthouse. Dir. Robert Eggers. A24. 2019.

    “𝑩𝒆𝒔𝒕 𝒚’𝒍𝒆𝒂𝒗𝒆 𝒕𝒉𝒆 𝒈𝒖𝒍𝒍𝒔 𝒃𝒆. 𝑰𝒏 ’𝒆𝒎𝒔 𝒕𝒉𝒆 𝒔𝒐𝒖𝒍𝒔 𝒐𝒇 𝒔𝒂𝒊𝒍𝒐𝒓𝒔 𝒘𝒉𝒂𝒕 𝒎𝒆𝒕 𝒕𝒉𝒆𝒊𝒓 𝒎𝒂𝒌𝒆𝒓.” The Lighthouse is a film about madness and evil. The film uses the arrival and death of a seagull, at the hands of Thomas, to explore the threshold between sanity and madness, and our capacity for evil. Thomas’ sanity is questioned…