Tag: HAR: Animal Agency

  • Lamb. Dir. Valdimar Jóhannsson. Sena. 2021

    Lamb. Dir. Valdimar Jóhannsson. Sena. 2021

    Like a lamb to the slaughter, the slow-burn, absurd surrealness of A24’s Lamb (2021) leads the audience to an end that blends both chilling twists and heartbreaking loss as the complications that are inevitable with blurring binaries between human-animal relations come to fruition. In a playful, sardonic reconfiguration of oppositions between captivity and freedom, wildness…

  • One Hundred and One Dalmatians. Dir. Wolfgang Reitherman, Clyde Geronimi, Hamilton Luske. Buena Vista Distribution. 1961.

    One hundred and one Dalmatians, ninety-nine of which are puppies, in a terraced house in London. How wonderful! The perfect Disney dream ending. Or in the realms of reality, a deluge of responsibility that is only going to increase if Roger and Anita, the owners, don’t begin to take spaying and neutering seriously. It is,…

  • Togo. Dir. Ericson Core. Walt Disney Studios. 2019

    What does he bring to the breed? The heart of a survivor. [1] The relationship between men and dogs is often explored within film. The contrast between rambunctious, troublesome animals and dominant, controlling men is a source of comedy, drama and widely popular with audiences. Seen in the likes of Beethoven[2] and Marley and Me[3],…

  • Taxidermia (György Pálfi, 2006, Amor Far Filmproduktion).

    Taxidermia (György Pálfi, 2006, Amor Far Filmproduktion).

    Hungarian cinema leaves us feeling stuffed! Figure A  – Lajoska Balatony surrounded by stuffed animals. Taxidermia (György Pálfi, 2006, Amor Far Filmproduktion). Pálfi’s 2006 body horror  Taxidermia, follows the story of three generations of men in three acts; each concerning a different afflicted and animalistic perversion. It begins with Morosgoványi Vendel, a sexually perverse man…

  • Felidae. Dir. Michael Schaack.Wild Bunch. 1994.

    Warning- this article will contain graphic animated imagery as well as major spoilers for the film Felidae (1994) “What I was watching wasn’t exactly a scene out of The Aristocats.” -Francis in Felidae Released in 1994, the cult neo-noir film Felidae immediately sets itself apart from its earlier animated feline predecessors, with Schaack’s adaptation refusing…

  • Corpse Bride. Tim Burton. Warner Brothers. 2005.

    Corpse Bride. Tim Burton. Warner Brothers. 2005.

    ‘In the act of othering, what is projected onto the other is all that must be refused in constructing the identity of the self’[1]. Consequently, establishing a human/animal binary often leads to a hierarchical relationship, highlighting the difference between human and non-human ‘other’. Such binary differences are reminiscent of common tropes in gothic literature, with…

  • The Good Dinosaur. Dir. Peter Sohn. Disney Pixar. 2015.

    Are you terrified of big, scary dinosaurs from films such as Jurassic Park? Well, The Good Dinosaur will change that perception. In a world where dinosaurs never became extinct, a timid and friendly dinosaur named Arlo lives on a family farm. This story follows the conventional trope of a young boy who embarks on a…

  • Ant-Man. Dir. Peyton Reed. Marvel Studios. 2015.

    Ant-Man. Dir. Peyton Reed. Marvel Studios. 2015.

    ‘You’ve yet to learn about your greatest allies: the ants. Loyal, brave, and your partners on this job.’ As you’ve undoubtedly predicted from the title, ants play a huge role in Marvel’s Ant-Man[1] (2015). Master burglar Scott Lang, recently released from prison, is determined to cease his criminal ways so he can become a proper…

  • Wolfwalkers. Dir Tomm Moore and Ross Stewart. Apple TV+. 2020.

    This wild land must be civilised. Whilst this film’s premise – the child-friendly tale of two young werewolves attempting to end Oliver Cromwell’s invasion of Ireland – may sound bizarre, it proves itself to be one of the most politically and thematically poignant children’s films of 2020. The young protagonist is Robyn, an English Puritan…

  • E.T. the Extra-Terrestrial. Dir. Steven Spielberg. Universal Pictures. 1982

    Steven Spielberg’s E.T. the Extra-Terrestrial (1982), despite its tearful conclusion in which 10-year-old Elliott is parted from his extra-terrestrial friend aptly named ‘E.T.’, is revered for its thematic sentimentality (popularised by its iconic John Williams score) and stood him in contrast to his contemporary auteurs such as Martin Scorsese and Francis Ford Coppola, who adopted…