Category: Subgenre: Romance
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The Future. Dir. Miranda July. Roadside Attractions (US). 2011
The title of the film, The Future, is emblematic of the very thing the characters fear, what is the unknown. July certainly lets the cat out of the bag as she reveals her inner monologue through the narration of an anthropomorphic feline. The cat plays a central role in the drama, as it begins with…
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An American Werewolf in London. Dir. John Landis. Universal Pictures. 1981.
“The wolf’s bloodline must be severed; the last remaining werewolf must be destroyed. It’s you David.” An American tourist, traumatised and alone wakes up in a London hospital after an attack on the Yorkshire Moors. His newly cursed body drifts between human and wolf as his deceased friend haunts him in limbo, telling him he…
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Every Which Way but Loose. Dir. James Fargo. Warner Bros. 1978.
James Fargo’s 1978 film Every Which Way but Loose follows Clint Eastwood’s character Philo Beddo and his orangutan companion Clyde in their search for love. The audience’s expectations of human-animal relationships depicting docile animals who are human playthings are immediately subverted by Philo’s interactions with Clyde, the orangutan. Clyde throughout the film is given a freedom not…
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Lady Macbeth. Dir. William Oldroyd. Altitude Film Distribution. 2016.
Lady Macbeth depicts the journey of Katherine, pursuing her desire after she meets a black servant Sebastian, during her life under patriarchal oppression from her husband Alexander and his father Boris. Although the film is based on Nikolai Leskov’snovel, it has been altered, projecting the unequal act of power, encompassing race, gender, and social-class status…
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Red River. Dir. Howard Hawks. Monterey Productions. 1948.
American expansionism and the frontier myth – the romanticisation of prosperity found in claiming the ‘wilderness’ and the forceful expansion of the American border – pillars of the Western genre [1]. From Jan Troell’s The New Land (1982), John Ford’s Wagon Master (1950) to Charlie Chaplin’s Gold Rush (1925); Western cinema has constantly glorified the rich…
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Rio. Dir. by Carlos Saldanha. Blue Sky Studios and 20th Century Animation. 2011.
Opening with the vibrant celebration of colours and exotic sounds of the Brazilian rainforest, our focus is drawn to a nervous exotic baby macaw bird called Blu who plucks up the courage to attempt his maiden flight. Predictably he tumbles towards the ground, making a soft spongy safe landing, before commotion strikes and an attack…