ZooScope

Category: Language: English

  • The Lion King. Dir. Jon Favreau. Walt Disney Pictures and Fairview entertainment. 2019.

    Jon Favreau’s 2019 recreation of The Lion King is something David Attenborough would be proud of, or is it? Disney seems to have a habit of reproducing the same stories, and after 25 years that’s just what they did with their animated animal take on Hamlet. Favreau’s CGI Lion King tells the story of a…

  • The Deer Hunter. Dir. Michael Cimino. EMI. 1978.

    Michael Cimino’s The Deer Hunter explores the impact of the Vietnam War on Americans, depicting protagonist Michael’s transformation from notoriously adept hunter and Russian-roulette crazed killer to sparing a deer’s life, delicately challenging the culturally normalised human-animal hierarchy. Specifically through mirroring shots of when he is moments away from firing at the deer, one prior…

  • Pocahontas. Dir. Eric Goldberg and Mike Gabriel. The Walt Disney Company. 1995.

    In Pocahontas, the animosity between Meeko, the Native American raccoon and Percy, the English pug is a microcosm of the conflict between the Native and English humans. The animals are comic foils, providing family-friendly slapstick relief from human violence. However, the inclusion of animals adds meaning beyond just comedic value. The animals and humans both…

  • Snatch. Dir. Guy Ritchie. Columbia Pictures. 2000.

    – “Okay, I reckon the hare gets fucked” – “What? Proper fucked?” In Guy Ritchie’s comedic crime thriller Snatch, he uses this hare coursing scene to draw parallels between the animality of the dogs and the gangsters, whilst also simultaneously using the mise-en-scene to create a contrast between the agility of animals alongside the clumsiness…

  • Jojo Rabbit. Dir. Taika Waititi. Fox Searchlight Pictures. 2019.

    Taika Waititi’s Jojo Rabbit embodies the toxicity of hegemonic masculinity in Nazi Germany, utilising the rabbit ‘as a material and symbolic resource.’[1]. Waititi’s decision to navigate the film through the eyes of ten-year-old Jojo is significant, as Jojo’s own conflicted sense of masculinity is underscored through the rabbit as a symbol of gender, as his…

  • Batman Begins. Dir. Christopher Nolan. Warner Bros. 2005.

    Why does Batman dress like a bat? In the words of Batman himself, “bats frighten me. It’s time my enemies shared my dread.” In Batman Begins, the boundaries between human and animal are psychologically breached through Bruce’s lifelong phobia of bats. This all-consuming dread leads to Bruce’s attempt to confront this fear through exposure therapy.…

  • Scooby-Doo on Zombie Island. Dir. Jim Stenstrum. Hanna-Barbera Cartoons. 1998.

    Scooby-Doo on Zombie Island[1] is subversive both in terms of subverting what you’d expect from a typical Scooby outing (substituting criminals in masks with genuine monsters) and subverting ideas of what it truly means to be villainous. Immortal werecats Simone and Lena (fig. 1) sacrificed their souls to their cat god to exact revenge against…

  • Children of Men. Dir. Alfonso Cuarón. Universal Pictures. 2006.

    Children of Men is a 2006 film directed by Alfonso Cuarón set in Britain in which the people have become infertile. This infertility has caused the collapse of most countries apart from Britain, which has embraced far-right ideology. The chosen scene, from early on in the film, shows Theo (Clive Owen) on his way to the…

  • The Little Prince. Dir. Mark Osborne. Paramount Pictures. 2015

    The Little Prince. Dir. Mark Osborne. Paramount Pictures. 2015

    The Little Prince uses the animated medium of a children’s film to reconfigure the representation of the snake. A ‘common trope’ also applied here, is to present snakes as a certain bringer of death. The image of a reptile being posed as ‘cold-hearted aggressor’ is familiar as it goes back to Adam and Eve –…

  • The Good Dinosaur. Dir. Peter Sohn. Disney Pixar. 2015.

    Ever wondered what life would be like if dinosaurs never became extinct? Well, you’ll never have to wonder again thanks to The Good Dinosaur. In this alternate world human-animal relationships are reversed as the dinosaurs are civilised and positioned above humans hierarchically. In doing so, this film evokes questions surrounding the ethics of human practices…