Category: Imaginary Animals: No

  • My Neighbour Totoro. Dir. Hayao Miyazaki. Studio Ghibli. 1988.

    My Neighbour Totoro is a Japanese animation film produced by Studio Ghibli and directed by Hayao Miyazaki. It was released in 1988 and helped bring fame and recognition to Studio Ghibli as a viable film production company. The film begins with Kusakabe Tatsuo and his daughters Satsuki and Mei moving to the countryside in order…

  • Free Willy. Dir. Simon Wincer. Warner Bros. Family Entertainment. 1993.

    Famed for its CGI clip of a killer whale jumping over a wall into freedom, family film Free Willy follows a young boy’s transformation from “street kid” to animal activist after forming a bond with hostile orca Willy. 12 year old Jesse’s bond enables him to train and care for the three ton orca, which several trainers…

  • Jaws. Dir. Steven Spielberg. Universal Studios. 1975.

    Jaws, Spielberg’s second major film[1] , released in 1975 is widely recognised as an important piece of cinema, with one of the most memorable and suspense building soundtracks of all time. Despite the creepy and more blood thirsty elements of the film there are also moments of humour, as comedy plays quite a large role in…

  • How to Train Your Dragon. Dir. Dean DeBlois, Chris Sanders. Paramount Pictures. 2010.

    Dreamworks’s 2010 film How to Train Your Dragon tells the story of Hiccup, a Viking whose village is regularly attacked by dragons. Due to his physical weakness and lack of fighting skills Hiccup is an outsider in his village, the others not recognizing his high intellect and inventiveness as useful. Yearning for recognition and acceptance, Hiccup joins…

  • Stuart Little. Dir. Rob Minkoff. Columbia Pictures. 1999.

    Columbia Pictures’ Stuart Little (1999) follows the Little family’s adoption of an anthropomorphic mouse, Stuart, whose debonair mannerisms and soaring intelligence allow the family to embrace him as an addition to their brood. Whilst Eleanor and Frederick Little’s son George does not conceal his initial doubts regarding the adoption of a rodent, the film presents the notion…

  • Planet of the Apes. Dir. Franklin J. Schaffner. Twentieth Century Fox. 1968.

    Planet of the Apes is a story that takes a look at what the world would be like if Apes filled the role of humans, and vice-versa. What the film manages to do is not only point out how humans perceive animals as wild, and something that should be locked up and studied, but also…

  • Wake in Fright. Dir. Ted Kotcheff. United Artists. 1971.

    Having been lost for decades following its 1971 release, Wake in Fright was restored to considerable acclaim in 2009. Its aesthetic, screenplay and portrayal of the culture clash between outsiders and the aggressive ‘mateship’ mythology of Australia’s outback emerged fresher than ever. Wake in Fright follows English teacher John Grant, who is obliged to work in the outback for…

  • Shooter. Dir. Antoine Fuqua. Paramount Pictures. 2007.

    Shooter The animal presence in the film Shooter in form of the main character’s dog Sam plays into the theme of friendship and loyalty that is present throughout the whole film. The first time the viewer meets Sam is right after a 36 months time skip following the opening scene of the film. Through the events in…

  • Grizzly Man. Dir. Werner Herzog. Lions Gate Films. 2005.

    Grizzly Man, Dir. Werner Herzog, (2005). Grizzly Man, directed by Werner Herzog, presents a mixture of actual footage collected from Timothy Treadwell’s archive as well as interviews with his friends and family, conducted by Herzog. Treadwell’s relationship with the Bears and other wildlife is problematic as although he champions conservation he is also arguably interfering…

  • Bringing Up Baby . Dir. Howard Hawks. RKO. 1938.

    In the romantic comedy Bringing Up Baby (1938) Hawks explores the association between animalism (behaviours or feelings associated with animals) and chaos. The comedy emerges out of the interactions between the unlikely pair: Susan (Catherine Hepburn) and David (Cary Grant). This is because Susan is an eccentric, chaotic and a law evading romantic and David is a…