Category: Genre: Science Fiction
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Watchers. Dir. Jon Hess. Universal Pictures, Alliance Releasing. 1988.
How are human-animal relationships redefined when the lines dividing their respective humanity and animality are warped for scientific advancements? Director Jon Hess explores these altered dynamics within the 1988 science fiction horror film Watchers. When a devastating fire rips through the Banodyne Research Laboratories, the ongoing chaos is manipulated into an escape by two genetically-engineered…
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The Hunger Games. Dir. by Gary Ross (Lionsgate Films, 2012)
The Hunger Games (2012), directed by Gary Ross, sets up the mockingjay as a unifying symbol of rebellion and resistance against the dystopian ruling of the Capitol. Ross uses this sequence to establish the mockingjay as a balancing force between interpersonal relations and political solidarity. The human-animal connection between the protagonist, Katniss, and the mockingjay…
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Watchers. Dir. Jon Hess. Universal Pictures, Alliance Releasing. 1988.
If humans and animals navigate separate spheres within their shared world, then what becomes of creatures whose existence crosses into both realms? Jon Hess’s 1988 science fiction horror film Watchers queries the animal presence within humanity through the camera techniques used during the genetically-engineered OXCOM’s first attack on Travis Cornell. (Above) Humanity’s Fascination with Human-Animal…
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Guardians of the Galaxy Vol. 3. Dir. James Gunn. Walt Disney Studios Motion Pictures. 2023
Though James Gunn’s 2023 Sci-Fi/Action movie, Guardians of the Galaxy Vol. 3[1] reunited audiences with the beloved Guardians, the opening scene instantly insinuated this film’s darker tone due to its immediate focus on the horrific nature of animal experimentation and how it can be physically and mentally catastrophic for the creature. Gunn presents this by…
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Nope. Dir. Jordan Peele. Universal Pictures. 2022
Jordan Peele’s latest film nope follows siblings OJ and Emerald Haywood in the aftermath of their father’s unexpected death. The siblings ‘We ain’t got no more problems’ is the foreboding line said by Otis Haywood moments before his untimely death and the supernatural haunting begins on the Haywood family ranch. Jordan Peele’s latest film Nope…
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Sonnie’s Edge. Dir. Dave Wilson. Netflix. 2019
That fear of death. Do you feel it? Are you scared now? – Sonnie Content warning: sexual assault, female violence, abuse Netflix’s animated anthology, Love Death & Robots, first aired in 2019, enticing viewers through a display of episodically unique art styles and stories. Created by David Fincher and Tim Miller, the series provided a creative leeway…
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An American Werewolf in London. Dir. John Landis. Universal Pictures. 1981.
“The wolf’s bloodline must be severed; the last remaining werewolf must be destroyed. It’s you David.” An American tourist, traumatised and alone wakes up in a London hospital after an attack on the Yorkshire Moors. His newly cursed body drifts between human and wolf as his deceased friend haunts him in limbo, telling him he…
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Train to Busan. Dir. Yeon Sang-ho. Next Entertainment World. 2016.
Content warning: This article contains images of real animal death. The opening of Yeon Sang-ho’s action-horror film Train to Busan (2016) interprets the circumstances that lead to the epidemic at the centre of the ‘zombie apocalypse’ genre through an incident with a farmer and a deer. Considering the film’s narrative is characterised by a linearity…
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Mason’s Rats. Dir. Carlos Stevens. Netflix. 2022.
“Like World War fucking IV.” The Love, Death and Robots’ episode, Mason’s Rats, centres around conflict regarding control and the co-existence of humans and animals, specifically rats, in a world dominated by technologically advanced humans. Significantly, the identities of the two clashing forces – the rats and Mason – are used to portray the errors of internecine fighting, with…
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Bird Box. Dir. Susanne Bier. Netflix. 2018.
Susanne Bier’s Bird Box follows Malorie Hayes as she navigates the events and aftermath of an outbreak of creatures, which seem to take on the form of a person’s worst fear, deepest sadness or greatest loss, and thereby drive humans to suicide when the people look at them. However, the monsters themselves are never seen…