Category: Genre: Horror
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Watchers. Dir. Jon Hess. Universal Pictures, Alliance Releasing. 1988.
How are human-animal relationships redefined when the lines dividing their respective humanity and animality are warped for scientific advancements? Director Jon Hess explores these altered dynamics within the 1988 science fiction horror film Watchers. When a devastating fire rips through the Banodyne Research Laboratories, the ongoing chaos is manipulated into an escape by two genetically-engineered…
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Snakes on a Plane. Dir. David R Ellis. New Line Cinema. 2006.
‘At 30,000 feet, snakes aren’t the deadliest thing on this plane.’ From the taglines to the soundtrack, Ellis’ 2006 action-horror film depicts a sensationalised binary between humankind and snakes. Whilst the cold-blooded creatures are undeniably presented as hostile antagonists driven by instinct, the abundance of human violence amplifies the capacity of humankind to commit unnecessary…
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Watchers. Dir. Jon Hess. Universal Pictures, Alliance Releasing. 1988.
If humans and animals navigate separate spheres within their shared world, then what becomes of creatures whose existence crosses into both realms? Jon Hess’s 1988 science fiction horror film Watchers queries the animal presence within humanity through the camera techniques used during the genetically-engineered OXCOM’s first attack on Travis Cornell. (Above) Humanity’s Fascination with Human-Animal…
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X. Dir. Ti West. A24. 2022
Alligators and Pornstars Ti West’s 2022 horror film, X, follows a group of adult-filmmakers in their endeavour to create ‘a good dirty movie,’ in spite of the looming persecution of their Bible Belt location. In this scene, central protagonist and self-proclaimed star Maxine swims nude in a bayou and, unbeknownst to her, is stalked by…
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Roar. Dir. Noel Marshall. Film Consortium, Filmways Pictures. 1981
“No Animals were harmed in the making of this film. 70 cast and crew members were”. A film tagline that instantly grabs your attention. The Drafthouse re-release in 2015 coined this moniker for the 1981 box-office blunder[1] “Roar”, which lacks plot, conventionality and, as the curious tagline suggests: a lack of safety measures for the actors…
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Nope. Dir. Jordan Peele. Universal Pictures. 2022
Jordan Peele’s latest film nope follows siblings OJ and Emerald Haywood in the aftermath of their father’s unexpected death. The siblings ‘We ain’t got no more problems’ is the foreboding line said by Otis Haywood moments before his untimely death and the supernatural haunting begins on the Haywood family ranch. Jordan Peele’s latest film Nope…
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Sonnie’s Edge. Dir. Dave Wilson. Netflix. 2019
That fear of death. Do you feel it? Are you scared now? – Sonnie Content warning: sexual assault, female violence, abuse Netflix’s animated anthology, Love Death & Robots, first aired in 2019, enticing viewers through a display of episodically unique art styles and stories. Created by David Fincher and Tim Miller, the series provided a creative leeway…
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An American Werewolf in London. Dir. John Landis. Universal Pictures. 1981.
“The wolf’s bloodline must be severed; the last remaining werewolf must be destroyed. It’s you David.” An American tourist, traumatised and alone wakes up in a London hospital after an attack on the Yorkshire Moors. His newly cursed body drifts between human and wolf as his deceased friend haunts him in limbo, telling him he…
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Train to Busan. Dir. Yeon Sang-ho. Next Entertainment World. 2016.
Content warning: This article contains images of real animal death. The opening of Yeon Sang-ho’s action-horror film Train to Busan (2016) interprets the circumstances that lead to the epidemic at the centre of the ‘zombie apocalypse’ genre through an incident with a farmer and a deer. Considering the film’s narrative is characterised by a linearity…
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Bird Box. Dir. Susanne Bier. Netflix. 2018.
Susanne Bier’s Bird Box follows Malorie Hayes as she navigates the events and aftermath of an outbreak of creatures, which seem to take on the form of a person’s worst fear, deepest sadness or greatest loss, and thereby drive humans to suicide when the people look at them. However, the monsters themselves are never seen…