Category: Distributor: Paramount Pictures
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The Little Prince. Dir. Mark Osborne. Paramount Pictures. 2015
“One sees clearly only with the heart. What is essential is invisible to the eye.” In The Little Prince the depiction of foxes defies conventional animality as they generally symbolise perfidy. But The Fox here is characterised as holding pragmatic intellectual power. He is a teacher but does not hold any other forms of power,…
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Rango. Dir. Gore Verbinski. Paramount Pictures. 2011.
As Rango’s terrarium hits the concrete and shatters, the bleak reality of human nature and the wake of destruction we leave becomes apparent. To humans, animal suffering is a mere bump in the road – literally. In the opening scene of Rango, the car in which Rango is travelling hits a passing armadillo attempting to…
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The Little Prince. Dir. Mark Osborne. Paramount Pictures. 2015
The Little Prince uses the animated medium of a children’s film to reconfigure the representation of the snake. A ‘common trope’ also applied here, is to present snakes as a certain bringer of death. The image of a reptile being posed as ‘cold-hearted aggressor’ is familiar as it goes back to Adam and Eve –…
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Rango. Dir. Gore Verbinski. Paramount Pictures. 2011.
“Rango’s” animated Western storyline is narrated by an owl mariachi band with thick Spanish accents who tell the story of a nameless pet chameleon. The anthropomorphic chameleon sees himself as an exceptionally gifted actor in his terrarium with a wind-up goldfish and a damaged Barbie doll as his characters in his plays. After an accident,…
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How to Train Your Dragon. Dir. Dean DeBlois, Chris Sanders. Paramount Pictures. 2010.
Despite the movie’s title, How to Train Your Dragon does not present ‘trained’ dragons. The title insinuates the shift from foe to friend is a means of ‘training’ a dragon, when this is actually achieved through the development of a mutual understanding of the other. The film’s false equation of this mutual agreement reduces the…
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True Grit. Dir. Ethan Coen and Joel Coen. Paramount Pictures. 2010.
Although the tone of True Grit (2010) is primarily light-hearted and comedic, the narrative explores dark themes of grief and revenge. After her father is murdered, fourteen-year-old Mattie Ross (Hailee Steinfeld) embarks on a journey to ensure her father’s killer is hanged for his crime, enlisting the help of infamously violent and self-serving U.S. Marshal…
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Arrival. Dir. Denis Villeneuve. Paramount Pictures. 2016.
When I think of science fiction films, I immediately think of two things: aliens and explosions. Arrival plays with these expectations of the genre, asking the viewer to look at aliens in a way they’re not used to. Taking Villeneuve’s vision of the alien to be a non-human creature, it is appropriate to categorise the aliens in Arrival as…
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Barnyard. Dir. Steve Oedekerk. Paramount Pictures, Nickelodeon Movies. 2006.
Steve Oedekerk’s Barnyard uses witty puns and gags in order to satirise the idea of the animal as a fixed definition, in that an animal can never truly be anything more than a representation of the attributes that humanity typically associates with its species.
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The Wolf of Wall Street. Dir. Martin Scorsese . Paramount Pictures. 2013.
The Wolf of Wall Street is a biographical dark comedy that follows the life of criminal stock broker, Jordan Belfort. The presence of animals in the film draws attention to human-animal relationships and their differences. More specifically, this scene uses a goldfish to highlight these differences, as well as the film’s message about the greed and…