Category: Article Type: Zoom

  • Ponyo. Dir. Hayao Miyazaki. Toho. 2008.

    ‘What? She is captured by a boy? This is very bad. Is it already dead?’ yells Ponyo’s father Fujimoto when realising his precious daughter is being kept as a pet fish. The line raises an interesting question, does cinema represent animal domestication as kidnapping or an addition of family member? Hayao Miyazaki’s animated fantasy film Ponyo retells…

  • Planet of the Apes. Dir. Franklin J. Schaffner. Twentieth Century Fox. 1968.

     Representation of Race through Franklin J. Schaffner’s ‘Space’ By 1968 North America had experienced over a decade of significant political uproar about the oppression that African-Americans suffered from, with this being known formally as the Civil Rights Movement. This was also the year that Franklin J. Schaffner’s Planet of the Apes was released. The film extrapolates issues…

  • IRIS. Dir. Albert Maysles. Magnolia Pictures. 2014.

    Albert Maysles’ 2015 documentary film IRIS provides a portrait of the nonagenarian fashion icon, Iris Apfel. Filming inside Iris’s apartment, Maysles presents us with many images of animal representations. The animals are artificial reproductions of the ‘real’ thing. They are aesthteic objects concerned only with style; carriers of pleasure rather than carriers of meaning. Taking Whitney Rugg’s…

  • Lolita. Dir. Adrian Lyne. The Samuel Goldwyn Company. 1997.

    ‘Lolita’ (dir. By Adrian Lyne, 1997) is based Vladimir Nabokov’s novel of the same name. It follows the story of Humbert Humbert and his twelve year old step daughter Dolores or as he nicknames her, Lolita. The relationship between these characters is far from the idealistic father-daughter relationship, as Humbert reveals his paedophilic motive. The…

  • Bringing Up Baby . Dir. Howard Hawks. RKO Radio Pictures. 1938.

    Howard Hawks created a mass of parallels between the female and the leopard Baby in Bringing Up Baby. He displays a classical Hollywood screwball gender notion – women are wild while men are sensible. It is obvious that the female protagonist Susan has a closer relationship with the wild animals than everyone else in the film.…

  • The Jungle Book. Dir. Wolgang Reitherman. Walt Disney. 1967.

    The Jungle Book (1967) Dir, by Wolfgang Reitherman Disney’s The Jungle Book is a film of young boy trying to prove he can survive in the jungle whilst being persuaded by a cast of animals to return to human life. Mowgli is defiant that he belongs in the jungle but the inherently conservative, and ultimately racist, message…

  • The Revenant . Dir. Alejandro González Iñárritu. 20th Century Fox . 2015.

    While much of The Revenant’s plot focuses on the quarrels of men and the seeking of revenge, the bear attack scene makes us forget this for a moment. González Iñárritu instead creates a scene that feels authentic using an undramatised style. In doing this he presents the bear not as a monster but as an animal defending…

  • Bringing Up Baby. Dir. Howard Hawks. RKO. 1938.

    In this article, I will analyse the scene in which David first encounters the dog, George, and Susan’s aunt, Mrs Random, while caught wearing Susan’s dressing gown. I will argue that here a direct comparison can be made between Susan and George. George is used to emphasise that rather than sharing characteristics with a wild…

  • Ratatouille. Dir. Brad Bird. Buena Vista Pictures Distribution. 2007.

    Brad Bird’s Ratatouille is a film in which the human community collides with that of the rats, through Remy the rat’s aspiration to be a cook for humans despite his status as animal vermin (assigned to him by those he wishes to cook for). Remy the rat’s first encounter with a compassionate, caring ‘human’ arises from an…

  • American Beauty. Dir. Sam Mendes. DreamWorks Pictures. 1999.

    Despite its iconic lusty red petals, Sam Mendes’ American Beauty is abundant with other striking images – one of which is a dead bird, lying on the grass of the school grounds, under the lens of Ricky Fitts’ camera. The bird becomes part of a vision of freedom and liberation, in a film where most of the…