Tag: HAR: Violence

  • Hannibal. Dir. Ridley Scott. MGM. 2001.

    Hannibal the Animal: An Analysis of Animal Presence in Hannibal Fig. 1. Hannibal Lecter. All pictures are taken directly from film unless otherwise stated. The sequel to The Silence of the Lambs, Ridley Scott’s Hannibal is set a decade after FBI Special Agent Clarice Starling (Julienne Moore) closed a serial-murder case with the help of incarcerated cannibal Dr. Hannibal…

  • Mighty Joe Young. Dir. Ron Underwood. Buena Vista Pictures. 1998.

    Film provides a platform for racial stereotypes to indoctrinate its viewers and relay social prejudices. Lester and Ross argue that ‘the predominant juxtaposition of images of blacks and social problems- welfare, crime, poverty, drugs, violence…implicitly helps to activate long-existing stereotypes of blacks as sambo and savage’ [1]. The black African poachers in Mighty Joe Young…

  • The Black Stallion. Dir. Carroll Ballard. Twentieth Century Fox. 1979.

    The Black Stallion (1979) Dir. Carroll Ballard Pulled to the tropical shores of a desert island by a wild Arabian horse following a shipwreck, The Black Stallion follows the narrative of an unbreakable bond between boy and horse, man and beast. The only remnants of the shipwreck that remain are the black stallion (The Black), the boy (Alec)…

  • A Cat’s Life (‘Une Vie de Chat’). Dir. Alain Gagnol and Jean-Loup Felicioli. Gebeka Films. 2010.

    A Cat in Paris (‘Une Vie de Chat’, 2010) is a charmingly funny, aesthetically beautiful and surprisingly thrilling French animated film, directed by Alain Gagnol and Jean-Loup Felicioli. [1] The film tells the story of Dino, a Parisian cat who leads a double life. By day he is a comforting and playful pet to a…

  • Tarzan. Dir. Kevin Lima, Chris Buck. Disney. 1999.

    Tarzan-Two Worlds Tarzan is best characterised by the title of the film’s opening song Two Worlds, sang by Phil Collins. This is the story of flora and fauna, represented by gorillas, colliding with mankind in Disney’s 1999 classic. The film sees an orphaned human baby in Africa adopted into an ape family by a Gorilla mother. The…

  • Sweetgrass. Dir. Lucien Castaing-Taylor and Ilisa Barbash. Cinema Guild. 2009.

    Spend three years following some Montana shepherds, then five years editing over 200 hours of footage, and you end up with Sweetgrass.1 This documentary film examines the reality of the human-animal relationship between a shepherd and his flock – a relationship in which both parties are completely dependent upon each other. With an unflinching eye and slow…

  • White Fang. Dir. Randal Kleiser. Buena Vista Studios. 1991.

    Baring his teeth to a Grizzly Bear on its hind legs, White Fang- a hybridised wolf-dog, forsakes his life to defend a young boy, Jack Conroy. Jack’s endures a perilous journey across Alaskan terrain to discover his Father’s claim during the 1898 Klondike Gold Rush, and an orphaned wolf-dog puppy whose trust renders him a…

  • The Lobster. Dir. Yorgos Lanthimos. Picturehouse Entertainment. 2015.

    The Lobster is a modern parable in which societal norms are completely called into question by absurdity of form. In the not too distant, or not too past, world of The Lobster, single people are sent to a hotel in which they must find a mate in 45 days or otherwise be turned into an animal of…

  • Samsara. Dir. Ron Fricke. Oscilloscope Laboratories. 2011.

    Samsara (2011) is a non-narrative documentary directed by Ron Fricke.[1] “Samsara” is a Sanskrit word for the cycle of birth, life and death. Through this theme, the film aims to ‘illuminate the links between humanity and the rest of nature, showing how our life cycle mirrors the rhythm of the planet’.[2] One particular sequence depicts the different…

  • The Grey. Dir. Joe Carnahan. Inferno. 2012.

    ‘You are going to die. That is what’s happening.’ After spending five monotonous weeks working as a hired wolf exterminator ‘doing some of that sniper shit’[i] at an oil refinery in Alaska, near suicidal John Ottoway (Liam Neeson) boards a plane bound for home, along with his fellow men ‘unfit for mankind.’[ii] When their flight clashes violently…