ZooScope

Tag: Snake(s)

  • Harry Potter and the Deathly Hallows: Part I. Dir. By David Yates. Warner Bros Pictures. 2010.

    Harry Potter and the Deathly Hallows: Part I. Dir. By David Yates. Warner Bros Pictures. 2010.

    Harry Potter and the Deathly Hallows: Part I (2011) is the penultimate film in the franchise. Harry, Ron and Hermione begin a desperate race to understand the instructions Dumbledore leaves after his death, concluding they must find and destroy the horcruxes that keep Voldemort alive before he discovers their quest. The horcruxes are objects containing…

  • The Good Dinosaur. Dir. Peter Sohn. Disney Pixar. 2015.

    Are you terrified of big, scary dinosaurs from films such as Jurassic Park? Well, The Good Dinosaur will change that perception. In a world where dinosaurs never became extinct, a timid and friendly dinosaur named Arlo lives on a family farm. This story follows the conventional trope of a young boy who embarks on a…

  • Dumbo. Dir. Tim Burton. Walt Disney Studios. 2019.

    Magic. Mayhem. Friendship. Freedom. Come on down to Medici’s circus, where the newest attraction is an adorable baby elephant with ears too big to handle. Watch him soar above and follow his heart as he dreams of being reunited with his mother, so tragically torn apart! Follow him to Vandevere’s circus, where he is a…

  • The Good Dinosaur. Dir. Peter Sohn. Disney Pixar. 2015.

    Ever wondered what life would be like if dinosaurs never became extinct? Well, you’ll never have to wonder again thanks to The Good Dinosaur. In this alternate world human-animal relationships are reversed as the dinosaurs are civilised and positioned above humans hierarchically. In doing so, this film evokes questions surrounding the ethics of human practices…

  • The Craft. Dir. Andrew Fleming. Columbia Pictures. 1996.

    ‘Big animals steal from little ones’ – Bonnie Harper (Neve Campbell) The Craft (1996) epitomises the intensity of teenage female friendships, and how quickly and violently these bonds can be broken. This kind of teenage sisterhood and its potential for moments of both great beauty and disaster is played out through the use of animals…

  • Rango. Dir. Gore Verbinski. Paramount Pictures. 2011.

    “Rango’s” animated Western storyline is narrated by an owl mariachi band with thick Spanish accents who tell the story of a nameless pet chameleon. The anthropomorphic chameleon sees himself as an exceptionally gifted actor in his terrarium with a wind-up goldfish and a damaged Barbie doll as his characters in his plays. After an accident,…

  • Jungle Book. Dir. Wolfgang Reitherman. Walt Disney. 1967.

    The notorious Kaa was manipulated in the Jungle Book[1] (1967) to serve the role of an antagonist, an inversion on his portrayal from Kipling’s original books[2] (1894). Kaa is presented as the enchanting reptile that adheres to the stereotypes of an Indian Rock Python.Reitherman harnesses the trance-like song “Trust in Me”[3] to ironically expose his deceitful nature and…

  • The Road to El Dorado. Dir. Bibo Bergeron, Jeffrey Katzenberg, Don Paul. DreamWorks Pictures. 2000.

    The Road to El Dorado subverts humanity’s usual place at the apex of creation. In this scene the High Priest, Tzekel-Kan, explains to Tulio (whom he believes to be a God) the importance of human sacrifice in gaining the fear and worship of the people, thus placing humanity somewhere near the bottom of a divine…

  • Toy Story. Dir. John Lasseter. Pixar. 1995.

    ‘You’ve got a friend in me’ is the catchphrase of Pixar’s first computer-generated feature-length film, Toy Story (1995), and this perfectly captures the relationships within the film; including those between the group of toys the plot centres around. The film follows the lives of these toys, in which the mix of human and animal characters come to…

  • Harry Potter and the Chamber of Secrets. Dir. Chris Columbus. Warner Bros. 2002.

    Harry Potter and the Chamber of Secrets utilizes horror film narratives and their depiction of monstrous animals in order to reveal a deeper complex message regarding human-animal relationships. The franchise’s reliance on Ophidiophobia acts to highlight the negative animalisation assigned to animals such as snakes, whilst the treatment of the Basilisk by humans in the film…