ZooScope

Tag: Political

  • Werckmeister Harmonies. Dir. Béla Tarr. Artificial Eye. 2000.

    Béla Tarr’s Werckmeister Harmonies (2000), based on László Krasznahorkai’s 1989 novel The Melancholy of Resistance, sees the arrival of an enormous taxidermy whale in a small Hungarian town. Local postman János, played by the wide-eyed Lars Rudolph, becomes fascinated by the displaced beast, seeing the divine beauty and awe of God’s creation in its rotting…

  • The Cove. Dir. Louie Psihoyos. Lionsgate/Roadside Attractions. 2009.

    Academy Award winning The Cove (2009) is a documentary film that follows a group of activists, led by renowned dolphin trainer Ric O’Barry, on their mission to expose the mistreatment of dolphins and porpoises in Taiji, Japan. The documentary tells of O’Barry’s own complex relationship with cetaceans, with The Cove exploring and attempting to justify his decision to fight…

  • Planet of the Apes. Dir. Franklin J. Schaffner. Twentieth Century Fox. 1968.

    Planet of the Apes is a story that takes a look at what the world would be like if Apes filled the role of humans, and vice-versa. What the film manages to do is not only point out how humans perceive animals as wild, and something that should be locked up and studied, but also…

  • Watership Down. Dir. Martin Rosen. Cinema International Corporation. 1978.

    Above left: Film Poster             Richard Adams reading Watership Down in 2008 Far from the fluffy, cotton-tailed animals we think rabbits to be, Watership Down (dir. Martin Rosen, 1978) depicts the brutal world of a political and regimented rabbit hierarchy. Chief rabbits dictate from the top of the hierarchy, whilst the military ‘Owsla’ bring down…

  • The Queen. Dir. Stephen Frears. Pathé Distribution. 2006.

    In the centre of constitutional drama, The Queen, a moment occurs in which a stag unexpectantly enters into a private moment being experienced by Elizabeth II. The Stag has a highly commanding presence onscreen, and works in unison with the film’s discussion on the public and private sphere. The scene opens with the Queen’s (Helen Mirren) back…