Tag: HAR: Pet Keeping
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Togo. Dir. Ericson Core. Walt Disney Studios. 2019
In Togo (2019)[1], directed by Ericson Core, the eponymous canine hero recovers from a potentially devastating injury, portrayed as being due to Togo’s incredible relationship with trainer Seppala. Core utilises the emotional score composed by Mark Isham, as well as focusing on the ‘love story between a man and his dog’[2]. This sequence cements the…
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The One and Only Ivan. Dir. Thea Sharrock. Walt Disney Studios Motion Pictures. 2020.
As the name of the film suggests, The One and Only Ivan showcases the individuality of animals and their much-like human personas, highlighting the injustice of their captivity. Standing out from Disney’s animated catalogue, the use of CGI (computer-generated) animals encourages the audience to interpret the unexaggerated personality of the animal protagonist by presenting them…
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Pocahontas. Dir. Eric Goldberg and Mike Gabriel. The Walt Disney Company. 1995.
In Pocahontas, the animosity between Meeko, the Native American raccoon and Percy, the English pug is a microcosm of the conflict between the Native and English humans. The animals are comic foils, providing family-friendly slapstick relief from human violence. However, the inclusion of animals adds meaning beyond just comedic value. The animals and humans both…
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Snatch. Dir. Guy Ritchie. Columbia Pictures. 2000.
– “Okay, I reckon the hare gets fucked” – “What? Proper fucked?” In Guy Ritchie’s comedic crime thriller Snatch, he uses this hare coursing scene to draw parallels between the animality of the dogs and the gangsters, whilst also simultaneously using the mise-en-scene to create a contrast between the agility of animals alongside the clumsiness…
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Paulie. Dir. John Roberts. Dreamworks Pictures. 1998
Paulie is a blue crowned conure, trapped in a small cage within a Research Institute. When he befriends Misha the janitor, Misha realises that Paulie can do more than talk- Paulie understands! Paulie is a family film that uses comedy and lighthearted fun to discuss the issues it presents. Paulie’s ideal life is to return…
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Turner and Hooch. Dir. Roger Spottiswoode. Touchstone Pictures. 1989.
Charles Darwin once stated ‘It is scarcely possible to doubt that the love of man has become instinctive in the dog’. [1] In the case of Turner and Hooch (1989), Hooch’s love for Turner and vice versa takes its time and only arises onside the development of a perfect police office-police dog understanding and partnership.…
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The Mask. Dir. Charles Russell. New Line Cinema. 1994.
The Mask[1] is a screwball gangster-comedy starring Jim Carrey as Stanley Ipkiss, a timid bank clerk who finds a Norse mask which turns him into a bold, charismatic and lustful character, much different to his usual self. The portrayal of his pet dog Milo, as well as the cartoon animal characters that share similarities with…