ZooScope

Tag: HAR: Pet Keeping

  • Bringing up Baby. Dir. Howard Hawks. RKO Radio Pictures. 1938.

    Bringing up Baby is a film which explores the relationship between humans and animals through the use of doubling. This is particularly evident in the scene where Susan lets a wild leopard escape from a circus and culminates in the scene where the leopard is wrangled into a jail cell by David. The use of doubling…

  • Moonrise Kingdom. Dir. Wes Anderson. Focus Features. 2012.

    Wes Anderson’s 2012 Moonrise Kingdom tells the tale of Suzy and Sam as they run away together. Our two young characters are pursued by Suzy’s family and Sam’s scout troop.

  • Babe. Dir. Chris Noonan. Universal Pictures. 1995.

     Babe’s belief in his capability to function within his new identity role as sheep-pig is shattered when he learns his true purpose as bacon for the farm. Deflated of self-worth and betrayed by ‘The Boss’ he descends into a torrent of psychological self-harm, unable to eat at the prospect of his failed ambitions. [1]

  • Mighty Joe Young. Dir. Ron Underwood. Buena Vista Pictures. 1998.

    Film provides a platform for racial stereotypes to indoctrinate its viewers and relay social prejudices. Lester and Ross argue that ‘the predominant juxtaposition of images of blacks and social problems- welfare, crime, poverty, drugs, violence…implicitly helps to activate long-existing stereotypes of blacks as sambo and savage’ [1]. The black African poachers in Mighty Joe Young…

  • The Black Stallion. Dir. Carroll Ballard. Twentieth Century Fox. 1979.

    The Black Stallion (1979) Dir. Carroll Ballard Pulled to the tropical shores of a desert island by a wild Arabian horse following a shipwreck, The Black Stallion follows the narrative of an unbreakable bond between boy and horse, man and beast. The only remnants of the shipwreck that remain are the black stallion (The Black), the boy (Alec)…

  • A Cat’s Life (‘Une Vie de Chat’). Dir. Alain Gagnol and Jean-Loup Felicioli. Gebeka Films. 2010.

    A Cat in Paris (‘Une Vie de Chat’, 2010) is a charmingly funny, aesthetically beautiful and surprisingly thrilling French animated film, directed by Alain Gagnol and Jean-Loup Felicioli. [1] The film tells the story of Dino, a Parisian cat who leads a double life. By day he is a comforting and playful pet to a…

  • White Fang. Dir. Randal Kleiser. Buena Vista Studios. 1991.

    Baring his teeth to a Grizzly Bear on its hind legs, White Fang- a hybridised wolf-dog, forsakes his life to defend a young boy, Jack Conroy. Jack’s endures a perilous journey across Alaskan terrain to discover his Father’s claim during the 1898 Klondike Gold Rush, and an orphaned wolf-dog puppy whose trust renders him a…

  • Stalker. Dir. Andrei Tarkovsky. Mosfilm. 1979.

    Andrei Tarkovsky’s science-fiction film, Stalker (1979), is marked by depression, desolation and barren wastelands.[1] The film’s loose narrative follows three men into The Zone, a disturbingly conscious and supernatural area of nuclear disaster. Whilst there, the eponymous Stalker encounters a black dog at various points on the journey. As the Stalker waits for his wife in the bar,…

  • Life Doesn’t Frighten Me. Dir. Stephen Dunn. LDFM Films. 2012.

    Stephen Dunn’s 2012 Canadian short film, Life Doesn’t Frighten Me, presents viewers with a campy peek into the life of thirteen-year old Esther as she embarks upon her journey into womanhood. Taking place over the course of her thirteenth birthday, the film primarily revolves around Esther’s apprehensive feelings towards her imperfect appearance and her newly…

  • The Lobster. Dir. Yorgos Lanthimos. Picturehouse Entertainment. 2015.

    The Lobster is a modern parable in which societal norms are completely called into question by absurdity of form. In the not too distant, or not too past, world of The Lobster, single people are sent to a hotel in which they must find a mate in 45 days or otherwise be turned into an animal of…